Speculations, fabulations, incantations: Science fiction, contemporary futurology and how to change the world

Q2 Arts and Humanities
Julia Grillmayr
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引用次数: 0

Abstract

After giving a short insight into the ambivalent relationship between science fiction (SF) and futurology, this article sheds light on the current trend of what can be called science-fictional scenario writing, focusing on the publications of the Center for Science and the Imagination at the Arizona State University. The stories published in projects, such as Hieroglyph, the Climate Fiction short story contest Everything Change or the Tomorrow Project, are indistinguishable from conventional SF short stories. However, the frameworks of these projects share a certain futurological ambition. Also, they seek to enable the readers and writers of these stories to actively shape possible futures. In search for a label for this specific text form, Rebecca Wilbanks aptly coined the term ‘incantatory fictions’. This article explores the nature, the self-understanding und the practices of these speculations, fabulations and incantations by considering the metatexts of the afore-mentioned publications and by talking to people who work at the interface between SF and futurology.
推测、虚构、咒语:科幻小说、当代未来学和如何改变世界
在简要了解了科幻小说(SF)和未来学之间的矛盾关系后,本文以亚利桑那州立大学科学与想象中心的出版物为重点,揭示了所谓科幻场景写作的当前趋势。在Hieroglyph、气候小说短篇小说竞赛Everything Change或Tomorrow Project等项目中发表的故事与传统的SF短篇小说无法区分。然而,这些项目的框架具有一定的未来学野心。此外,他们试图让这些故事的读者和作者积极塑造可能的未来。为了寻找这种特定文本形式的标签,丽贝卡·威尔班克斯恰当地创造了“咒语小说”一词。本文通过考虑上述出版物的元文本,并通过与从事SF和未来学接口工作的人交谈,探讨了这些推测、虚构和咒语的性质、自我理解和实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
European Journal of American Culture
European Journal of American Culture Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
17
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