The Sights and Sounds of State Violence: Encounters with the Archive of David Oluwale.

IF 1.1 1区 历史学 Q1 HISTORY
Kennetta Hammond Perry
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引用次数: 0

Abstract

This article dwells in the archive documenting the existence of David Oluwale, a Nigerian-born British citizen whose life is captured historically by way of his encounters with the state. Working within and against the dynamics of violation, racialization, and dispossession structuring his archival presence, this article looks to the visual and sonic registers of an archive of Black dispossession to excavate histories of anti-Black state violence in Britain during the second half of the twentieth century. Likewise, it considers the extent to which an archive steeped in Black dispossession might offer possibilities for imagining Black emotive lives and constructing histories of Black sentience and affect even as they are produced in the context of racialized violence and duress.

国家暴力的景象和声音:与大卫·奥卢瓦莱档案的相遇
这篇文章保存在档案中,记录了尼日利亚出生的英国公民David Oluwale的存在,他的生活通过与国家的接触而被历史记录下来。本文着眼于侵犯、种族化和剥夺他的档案存在的动态,并与之对抗,通过黑人剥夺档案的视觉和声音记录,挖掘20世纪下半叶英国反黑人国家暴力的历史。同样,它考虑了一个充斥着黑人被剥夺权利的档案在多大程度上可能为想象黑人的情感生活和构建黑人感知和情感的历史提供可能性,即使这些历史是在种族化暴力和胁迫的背景下产生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
35
期刊介绍: Twentieth Century British History covers the variety of British history in the twentieth century in all its aspects. It links the many different and specialized branches of historical scholarship with work in political science and related disciplines. The journal seeks to transcend traditional disciplinary boundaries, in order to foster the study of patterns of change and continuity across the twentieth century. The editors are committed to publishing work that examines the British experience within a comparative context, whether European or Anglo-American.
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