“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup

IF 2.4 2区 文学 Q1 COMMUNICATION
C. Howell
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引用次数: 1

Abstract

Drawing on fan studies, sports media studies, media industries studies, and participant observation of the American Outlaws, this essay analyzes specific aspects of the 2019 FIFA Women’s World Cup as televised by Fox Sports in the wider context of soccer’s evolving place within the American sports media marketplace. American media companies have increasingly positioned soccer as an upscale sport in the U.S. In addition to representing an affluent and cosmopolitan taste culture, the representation of the American Outlaws as part of Fox Sports’ programming and branding flattened the frictions of class, national identity, politics, and race that shaped American soccer discourse in the summer of 2019. This essay explores this flattening and the underlying tensions between televising a tournament based in American national identity that allows for a more mass audience appeal and the more niche-based framing of soccer—including the progressive politics of women’s soccer—in U.S. sports media.
“美国不法之徒是我们的人民”:福克斯体育和2019年女足世界杯上美国足球迷的品牌矛盾心理
根据球迷研究、体育媒体研究、媒体行业研究和参与者对《美国亡命之徒》的观察,本文从足球在美国体育媒体市场中不断发展的更广泛背景下,分析了福克斯体育电视转播的2019年国际足联女子世界杯的具体方面。美国媒体公司越来越多地将足球定位为美国的高档运动。除了代表富裕和国际化的品味文化外,作为福克斯体育节目和品牌的一部分,《美国亡命之徒》的形象消除了阶级、国家认同、政治和种族的摩擦,这些摩擦在2019年夏天塑造了美国足球的话语。这篇文章探讨了这种扁平化以及电视转播一场基于美国国家身份的比赛与美国体育媒体对足球(包括女子足球的进步政治)更具大众吸引力之间的潜在紧张关系。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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