The Many Malalas: Self-Narrativization and the Construction of Mythology through Poetry

IF 0.1 0 LITERATURE
Tehmina Pirzada
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引用次数: 0

Abstract

Abstract:This article situates poetry and poetic expression as a centerpiece of Malala Yousafzai's activism, foregrounding how Malala's auto/biographical poetic performances enable her to effectively narrate her story, as well as foster a mythology (both personal and communal) that celebrates her sacrifice. Though there are numerous journalistic and scholarly accounts related to Malala, to date, there is no scholarship about Malala's use of poetry for activism. This article rectifies that absence by emphasizing that Malala has always claimed a stake in the public imagination through her poetic performance and its related visual and cultural capital. The first section of the article establishes how through auto/biographic poetic performance, Malala resists the notion of a singular self. In the second section, it focuses on Malala's use of Pashtun mythology in cultivating her visual repertoire, and in the last section it contends that the poets writing for Malala amplify her narrative that there are many Malalas in Swat and beyond.
《许多马拉拉》:自我叙述与诗歌的神话建构
摘要:本文将诗歌和诗歌表达定位为马拉拉·优素福扎伊激进主义的核心,强调马拉拉的自我/传记式诗歌表演如何使她能够有效地讲述自己的故事,并培养一种庆祝她的牺牲的神话(个人和集体)。尽管有许多与马拉拉有关的新闻和学术报道,但到目前为止,还没有关于马拉拉利用诗歌进行激进主义的学术报道。这篇文章纠正了这种缺失,强调马拉拉一直通过她的诗歌表演及其相关的视觉和文化资本在公众想象中占有一席之地。文章的第一部分阐述了马拉拉如何通过自我/传记式的诗歌表演来抵制单一自我的概念。在第二节中,重点讨论了马拉拉在培养视觉艺术方面对普什图神话的运用,在最后一节中,它认为为马拉拉写作的诗人放大了她的叙事,即斯瓦特及其他地方有很多马拉拉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
自引率
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15
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