‘It’s the brightness of the idea’: Talking comics with Brendan McCarthy

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
J. Klaehn
{"title":"‘It’s the brightness of the idea’: Talking comics with Brendan McCarthy","authors":"J. Klaehn","doi":"10.1386/stic_00058_7","DOIUrl":null,"url":null,"abstract":"Visionary British artist and designer Brendan McCarthy is internationally known for his singularly unique approach to art and craft. His comics debut, Sometime Stories, was published in 1977, and he went on to publish work with Vanguard Illustrated, Strange Days, 2000 AD, and Vertigo. He was part of the famous ‘British Invasion’ of the comics industry in the 1980s, which actually led to the creation of DC Vertigo and created new pathways for comics to gain wider influence within both Hollywood and the broader pop culture. With writer Peter Milligan, he co-created Freakwave, Strange Days, Paradax!, Rogan Gosh and Skin, and he painted covers for Milligan’s Shade the Changing Man DC Vertigo series. A pioneer in the field of computer animation, he created visuals for the 90s computer animated TV series ReBoot, which preceded Pixar and Dreamworks, and he contributed to a wide range of TV series, feature films, animation, and commercials during his more than two decades spent working in Hollywood. He co-wrote and was a designer on the feature film Mad Max: Fury Road (2015). His more recent comics work includes Dream Gang, published with Dark Horse, and The Zaucer of Zilk (with writer Al Ewing and colourist Len O’Grady) for 2000 AD. This interview explores key dimensions of his career in comics, British comics and the ‘British Invasion’ of the 1980s, Paradax!, and the influence and inspiration of David Bowie.","PeriodicalId":41167,"journal":{"name":"Studies in Comics","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Comics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/stic_00058_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

Visionary British artist and designer Brendan McCarthy is internationally known for his singularly unique approach to art and craft. His comics debut, Sometime Stories, was published in 1977, and he went on to publish work with Vanguard Illustrated, Strange Days, 2000 AD, and Vertigo. He was part of the famous ‘British Invasion’ of the comics industry in the 1980s, which actually led to the creation of DC Vertigo and created new pathways for comics to gain wider influence within both Hollywood and the broader pop culture. With writer Peter Milligan, he co-created Freakwave, Strange Days, Paradax!, Rogan Gosh and Skin, and he painted covers for Milligan’s Shade the Changing Man DC Vertigo series. A pioneer in the field of computer animation, he created visuals for the 90s computer animated TV series ReBoot, which preceded Pixar and Dreamworks, and he contributed to a wide range of TV series, feature films, animation, and commercials during his more than two decades spent working in Hollywood. He co-wrote and was a designer on the feature film Mad Max: Fury Road (2015). His more recent comics work includes Dream Gang, published with Dark Horse, and The Zaucer of Zilk (with writer Al Ewing and colourist Len O’Grady) for 2000 AD. This interview explores key dimensions of his career in comics, British comics and the ‘British Invasion’ of the 1980s, Paradax!, and the influence and inspiration of David Bowie.
“这是绝妙的创意”:与布兰登·麦卡锡聊漫画
富有远见的英国艺术家和设计师Brendan McCarthy以其独特的艺术和工艺方法而闻名于世。他的漫画处女作《有时的故事》于1977年出版,随后他与《先锋画报》、《奇怪的日子》、《迷魂记》等杂志合作出版了作品。他是20世纪80年代漫画产业著名的“英国入侵”的一部分,这实际上导致了DC眩晕的诞生,并为漫画在好莱坞和更广泛的流行文化中获得更广泛的影响力开辟了新的途径。他与作家彼得·米利根(Peter Milligan)共同创作了《怪异的日子》(Freakwave)、《奇异的日子》(Strange Days)、《悖论!》他还为Milligan的Shade the Changing Man DC Vertigo系列画过封面。作为电脑动画领域的先驱,他为90年代的电脑动画电视连续剧《重启》创造了视觉效果,这先于皮克斯和梦工厂。在好莱坞工作的20多年里,他为一系列电视剧、故事片、动画和商业广告做出了贡献。2015年,他参与了电影《疯狂的麦克斯:狂暴之路》的编剧和设计师工作。他最近的漫画作品包括与黑马出版社出版的《梦帮》,以及公元2000年与作家阿尔·尤因和配色师莱恩·奥格雷迪合著的《齐克的祖叟》。这次采访探讨了他的漫画生涯的关键维度,英国漫画和20世纪80年代的“英国入侵”,悖论!以及大卫·鲍伊的影响和启发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Studies in Comics
Studies in Comics HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
12
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信