The Shadow Archetype in Mahmud Dowlatabadi’s Novel Yusef’s Days and Nights

IF 0.1 0 LITERATURE
Anafora Pub Date : 2021-06-16 DOI:10.29162/anafora.v8i1.8
Masoud Farahmandfar, Ghiasuddin Alizadeh
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引用次数: 1

Abstract

The present article studies Mahmoud Dowlatabadi’s novel Yusef ’s Days and Nights and attempts to provide a different reading of the novel through the application of C. G. Jung’s theories on the collective unconscious and archetypes. From Jung’s perspective, the collective unconscious is the reservoir of psychic energy and the source of all human memories; also, the archetypes are universal mental structures the recognition of which becomes possible through the symbolic interpretation of dreams, fantasies, myths, and rituals. “Shadow” is one of the most important archetypes that, according to Jung, is the dark half of our being. This shadow is our alter-ego, and it is only when we accept it as a part of our being that we can achieve psychic equilibrium and complete the process of individuation. The process of individuation, and indeed of the conscious mind’s coming to terms with the ‘self,’ usually begins with suffering. Although this initial shock is not often recognized, it is a kind of summoning. However, Yusef (the protagonist of the novel) follows the path of denial and his projections of his fears and anxieties gradually make the distinction between illusion and reality difficult for him. Therefore, the confrontation with theshadow, although difficult and perhaps horrifying, is a necessary step on the road towards mental and psychical maturity.
道拉塔巴迪小说《优素福的日日夜夜》中的影子原型
本文以马哈茂德·道拉塔巴迪的小说《优素福的日日夜夜》为研究对象,试图通过运用荣格关于集体无意识和原型的理论,提供一种不同的解读。在荣格看来,集体无意识是精神能量的蓄水池,是人类所有记忆的源泉;此外,原型是普遍的心理结构,通过对梦、幻想、神话和仪式的象征性解释,对原型的认识成为可能。“影子”是最重要的原型之一,根据荣格的说法,它是我们生命中黑暗的一半。这个影子是我们的另一个自我,只有当我们接受它作为我们存在的一部分时,我们才能实现心理平衡,完成个性化的过程。个体化的过程,实际上是意识接受“自我”的过程,通常始于痛苦。尽管这种最初的震惊并不经常被认可,但它是一种召唤。然而,优素福(小说的主人公)走上了否认的道路,他对恐惧和焦虑的投射逐渐使他难以区分幻觉和现实。因此,与阴影的对抗,尽管很困难,也许很可怕,但却是走向精神和心理成熟的必要一步。
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来源期刊
Anafora
Anafora LITERATURE-
CiteScore
0.10
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20 weeks
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