{"title":"Talking about Peterloo: Manifold Oratory Speeches during the Romantic Period","authors":"Serena Baiesi","doi":"10.1080/09524142.2021.1972573","DOIUrl":null,"url":null,"abstract":"ABSTRACT The Romantic era heralded a new age of rhetoric in which the spoken word was cultivated into a truly eloquent form: the art of oratory. Such forms of expression – used both within and beyond the realm of parliamentary debates – were frequently adopted by radical speakers, who sought to promote freedom of speech and advocated for the working class to be granted more rights. At a time when the English government imposed strict censorship measures on the people, the art of oratory became a powerful tool of resistance, especially for radicals, Dissenters, intellectuals and activists. In this article, I discuss the rhetorical strategies that were employed by three types of orators from different social classes: politicians, female activists, and radicals from the Midlands. All of these figures played crucial roles in influencing public opinion both before and during the ‘Peterloo Massacre’. In fact, the rhetorical strategies and symbols used by orators at St. Peter’s field are still pertinent today. Many of these hallmarks of oratory can be discerned in the speeches that are delivered to modern audiences. Most notably, such rhetorical devices are still used by protesters and campaigners on an international scale in order to effect social change and to combat social inequality.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"35 1","pages":"200 - 211"},"PeriodicalIF":0.1000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"KEATS-SHELLEY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09524142.2021.1972573","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The Romantic era heralded a new age of rhetoric in which the spoken word was cultivated into a truly eloquent form: the art of oratory. Such forms of expression – used both within and beyond the realm of parliamentary debates – were frequently adopted by radical speakers, who sought to promote freedom of speech and advocated for the working class to be granted more rights. At a time when the English government imposed strict censorship measures on the people, the art of oratory became a powerful tool of resistance, especially for radicals, Dissenters, intellectuals and activists. In this article, I discuss the rhetorical strategies that were employed by three types of orators from different social classes: politicians, female activists, and radicals from the Midlands. All of these figures played crucial roles in influencing public opinion both before and during the ‘Peterloo Massacre’. In fact, the rhetorical strategies and symbols used by orators at St. Peter’s field are still pertinent today. Many of these hallmarks of oratory can be discerned in the speeches that are delivered to modern audiences. Most notably, such rhetorical devices are still used by protesters and campaigners on an international scale in order to effect social change and to combat social inequality.
期刊介绍:
The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.