Talking about Peterloo: Manifold Oratory Speeches during the Romantic Period

IF 0.1 4区 文学 0 POETRY
Serena Baiesi
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引用次数: 0

Abstract

ABSTRACT The Romantic era heralded a new age of rhetoric in which the spoken word was cultivated into a truly eloquent form: the art of oratory. Such forms of expression – used both within and beyond the realm of parliamentary debates – were frequently adopted by radical speakers, who sought to promote freedom of speech and advocated for the working class to be granted more rights. At a time when the English government imposed strict censorship measures on the people, the art of oratory became a powerful tool of resistance, especially for radicals, Dissenters, intellectuals and activists. In this article, I discuss the rhetorical strategies that were employed by three types of orators from different social classes: politicians, female activists, and radicals from the Midlands. All of these figures played crucial roles in influencing public opinion both before and during the ‘Peterloo Massacre’. In fact, the rhetorical strategies and symbols used by orators at St. Peter’s field are still pertinent today. Many of these hallmarks of oratory can be discerned in the speeches that are delivered to modern audiences. Most notably, such rhetorical devices are still used by protesters and campaigners on an international scale in order to effect social change and to combat social inequality.
谈彼得罗:浪漫主义时期的多种演讲
摘要浪漫主义时代预示着一个新的修辞时代,在这个时代,口语被培养成一种真正雄辩的形式:演讲艺术。这种表达形式——在议会辩论领域内外使用——经常被激进的演讲者采用,他们寻求促进言论自由,并主张给予工人阶级更多的权利。当英国政府对人民实施严格的审查措施时,演讲艺术成为了抵抗的有力工具,尤其是对激进分子、持不同政见者、知识分子和活动家来说。在这篇文章中,我讨论了来自不同社会阶层的三种类型的演说家所使用的修辞策略:政治家、女性活动家和来自中部地区的激进分子。所有这些人物在“彼得罗大屠杀”之前和期间都在影响公众舆论方面发挥了至关重要的作用。事实上,演说家在圣彼得演讲场上使用的修辞策略和符号在今天仍然很贴切。在向现代听众发表的演讲中,可以看出演说术的许多特征。最值得注意的是,抗议者和活动家仍然在国际范围内使用这种修辞手段,以实现社会变革和消除社会不平等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
15
期刊介绍: The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.
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