‘Speaking nearby’: Reflections on the conversations with Erika Tan

IF 0.3 0 ART
Lenette Lua, Huanzhi Zhang
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引用次数: 0

Abstract

How can we reconfigure the concept of Chinese art when the term Chinese extends beyond geographical specificity? From May to December 2021, researchers Lenette Lua and Huanzhi Zhang initiated a series of informal, open conversations with London-based Singaporean artist Erika Tan over Zoom. In these conversations, Tan shared the thinking process behind her moving image Journeys of Remembrance ([1993] 2008) and project The ‘Forgotten’ Weaver (2016–19), as well as her involvement in calling for Arts Council England to defund Centre for Chinese Contemporary Arts in Manchester for its White occupancy. By reflecting on the conversations with Tan and her propositions, the conversation unveils the struggle in grasping the exponentiality of Chineseness and seeks to unravel Chineseness as a fluctuating silhouette of continuous constructions and deconstructions that defies definition.
“在附近说话”:与谭对话的思考
当“中国”一词超越了地域的特殊性,我们如何重新配置中国艺术的概念?从2021年5月到12月,研究人员Lenette Lua和Huanzhi Zhang与伦敦的新加坡艺术家Erika Tan就Zoom展开了一系列非正式的公开对话。在这些对话中,Tan分享了她的活动影像《回忆之旅》([1993]2008)和项目《被遗忘的织女》(2016-19)背后的思考过程,以及她呼吁英国艺术委员会取消对曼彻斯特中国当代艺术中心的资助。通过反思与谭的对话和她的主张,对话揭示了在把握中国性的指数性方面的挣扎,并试图解开中国性作为一个不断的、不符合定义的结构和解构的波动剪影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
12
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