“Life” Magazine and the Power of Photography, edited by Katherine A. Bussard and Kristen Gresh

IF 0.4 1区 艺术学 0 ART
Martin A. Berger
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引用次数: 2

Abstract

11. “The idiosyncratic look of Rembrandt’s paint . . . entailed a claim to be distinguished, to stand apart, to be himself and, in the format of the mature paintings, to even constitute a self. This self was not forced on Rembrandt by the world around him—as the romantic view of the lonely, rejected artist would have it—but was very much his own invention.” Svetlana Alpers, Rembrandt’s Enterprise: The Studio and the Market (Chicago: University of Chicago Press, 1988), 33. katherine a. bussard and kristen gresh, eds. “Life” Magazine and the Power of Photography New Haven, CT: Yale University Press, 2020. 336 pp.; 250 color and b/w ills. $60.00
《生活》杂志和摄影的力量,由凯瑟琳·a·布萨德和克里斯汀·格莱什编辑
11.“伦勃朗绘画的独特外观……要求与众不同,与众不同,做自己,甚至以成熟绘画的形式构成一个自我。这个自我并不是伦勃朗周围的世界强加给他的——就像孤独、被拒绝的艺术家的浪漫观所说的那样——而是他自己的发明。”Svetlana Alpers,伦勃朗的《企业:工作室与市场》(芝加哥:芝加哥大学出版社,1988年),33。katherine a.bussard和kristen gresh主编,《生活》杂志和摄影的力量,康涅狄格州纽黑文:耶鲁大学出版社,2020年。336页。;250色和黑白插图$60
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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