{"title":"Missionizing Affects","authors":"Heather Jaber","doi":"10.1163/18739865-01602005","DOIUrl":null,"url":null,"abstract":"\n This article examines the fictionalized retelling of a real 2017 controversy, after images proliferated of fans raising the rainbow flag during the Lebanese band Mashrou Leila’s concert in Egypt in solidarity with the band’s openly queer frontman. It examines the Egyptian musalsal or Arabic-language drama serial, ‘Awalem Khafeya, Hidden Worlds and suggests that the program engages in the ‘recoding’ of these events, where violent state crackdowns are restaged to cultivate different affects and feelings around troubled sovereignty. The production is situated within the Egyptian and Saudi Arabian contexts, where the program aired and ‘anti-corruption’ crackdowns betray state anxieties around economic liberalization. The production is analyzed to demonstrate how recoding operates, reflecting the potential for failed recoding platforms and raising new questions about content and territory. Ultimately, the article offers recoding as a diagnostic of power in the digital media age, where nations face a crisis of sovereignty as they articulate themselves in a global media marketplace.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle East Journal of Culture and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18739865-01602005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the fictionalized retelling of a real 2017 controversy, after images proliferated of fans raising the rainbow flag during the Lebanese band Mashrou Leila’s concert in Egypt in solidarity with the band’s openly queer frontman. It examines the Egyptian musalsal or Arabic-language drama serial, ‘Awalem Khafeya, Hidden Worlds and suggests that the program engages in the ‘recoding’ of these events, where violent state crackdowns are restaged to cultivate different affects and feelings around troubled sovereignty. The production is situated within the Egyptian and Saudi Arabian contexts, where the program aired and ‘anti-corruption’ crackdowns betray state anxieties around economic liberalization. The production is analyzed to demonstrate how recoding operates, reflecting the potential for failed recoding platforms and raising new questions about content and territory. Ultimately, the article offers recoding as a diagnostic of power in the digital media age, where nations face a crisis of sovereignty as they articulate themselves in a global media marketplace.
期刊介绍:
The Middle East Journal of Culture and Communication provides a transcultural academic sphere that engages Middle Eastern and Western scholars in a critical dialogue about culture, communication and politics in the Middle East. It also provides a forum for debate on the region’s encounters with modernity and the ways in which this is reshaping people’s everyday experiences. MEJCC’s long-term objective is to provide a vehicle for developing the field of study into communication and culture in the Middle East. The Journal encourages work that reconceptualizes dominant paradigms and theories of communication to take into account local cultural particularities.