“Open to all people”: upholding radical tolerance in commemorative spaces

IF 1.1 1区文学 Q3 COMMUNICATION

Communication and Critical-Cultural Studies Pub Date : 2022-01-02 DOI:10.1080/14791420.2022.2029514

Rebecca A. Costantini

引用次数: 0

Abstract

ABSTRACT On Friday, May 18, 2018, the grounds of Rothko Chapel in Houston, Texas were splashed with white acrylic paint and littered with flyers containing a brief, targeted manifesto: “It’s okay to be white.” Through interviews with Rothko Chapel staff members, I explore the various tensions that arise from a commemorative space that upholds a policy of radical tolerance—that is, an elevated human virtue that attempts to transcend the limitations of mere tolerance by requiring a deeper reflexivity toward acts of hate and violence—becoming the subject of an intolerant, violent act that challenged the central values of its mission.

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“向所有人开放”：在纪念空间中坚持激进宽容

摘要2018年5月18日，周五，德克萨斯州休斯顿的罗斯科教堂(Rothko Chapel)的地面上洒满了白色丙烯酸漆，到处都是传单，上面写着一份简短的宣言:“当白人没关系。”通过对罗斯科教堂工作人员的采访，我探索了一个纪念空间所产生的各种紧张关系，这个纪念空间坚持激进宽容的政策——也就是说，一种崇高的人类美德，试图通过对仇恨和暴力行为进行更深层次的反思来超越仅仅宽容的限制——成为挑战其使命核心价值的不宽容、暴力行为的主题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Communication and Critical-Cultural Studies Multiple-

CiteScore

3.10

自引率

10.50%

发文量

期刊介绍： Communication and Critical/Cultural Studies (CC/CS) is a peer-reviewed publication of the National Communication Association. CC/CS publishes original scholarship that situates culture as a site of struggle and communication as an enactment and discipline of power. The journal features critical inquiry that cuts across academic and theoretical boundaries. CC/CS welcomes a variety of methods including textual, discourse, and rhetorical analyses alongside auto/ethnographic, narrative, and poetic inquiry.