{"title":"Rebellion from Outside the Margins: Representation of de-notified tribe and Questions of Identity in Fandry (2013)","authors":"Rutuja K. Deshmukh","doi":"10.1080/14746689.2023.2175475","DOIUrl":null,"url":null,"abstract":"ABSTRACT Fandry (2013) is the first feature film written and directed by Nagraj Manjule. The film received a national award for the best debut director and several accolades in national and international film festivals. This paper offers introductory remarks on the representation of the de-notified tribe- Kaikadi in the film Fandry (2013). It starts with the observation about the social location of de-notified tribes and stigmatization around these communities and how Fandry as a film becomes a vehicle of resistance and formation of defiant identity. I also offer a critical reading of contemporary scholarship on Fandry, which overlooks the de-notified tribe identity and appropriates the struggle in the film with the larger Dalit struggle and caste issues. While the Dalit framework forms the background of the film, I argue that Manjule, through his film Fandry, is asserting personhood by bringing in lived experiences in his cinematic narrative.","PeriodicalId":35199,"journal":{"name":"South Asian Popular Culture","volume":"21 1","pages":"57 - 75"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Asian Popular Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14746689.2023.2175475","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Fandry (2013) is the first feature film written and directed by Nagraj Manjule. The film received a national award for the best debut director and several accolades in national and international film festivals. This paper offers introductory remarks on the representation of the de-notified tribe- Kaikadi in the film Fandry (2013). It starts with the observation about the social location of de-notified tribes and stigmatization around these communities and how Fandry as a film becomes a vehicle of resistance and formation of defiant identity. I also offer a critical reading of contemporary scholarship on Fandry, which overlooks the de-notified tribe identity and appropriates the struggle in the film with the larger Dalit struggle and caste issues. While the Dalit framework forms the background of the film, I argue that Manjule, through his film Fandry, is asserting personhood by bringing in lived experiences in his cinematic narrative.