Rebellion from Outside the Margins: Representation of de-notified tribe and Questions of Identity in Fandry (2013)

IF 0.3 0 ASIAN STUDIES
Rutuja K. Deshmukh
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引用次数: 0

Abstract

ABSTRACT Fandry (2013) is the first feature film written and directed by Nagraj Manjule. The film received a national award for the best debut director and several accolades in national and international film festivals. This paper offers introductory remarks on the representation of the de-notified tribe- Kaikadi in the film Fandry (2013). It starts with the observation about the social location of de-notified tribes and stigmatization around these communities and how Fandry as a film becomes a vehicle of resistance and formation of defiant identity. I also offer a critical reading of contemporary scholarship on Fandry, which overlooks the de-notified tribe identity and appropriates the struggle in the film with the larger Dalit struggle and caste issues. While the Dalit framework forms the background of the film, I argue that Manjule, through his film Fandry, is asserting personhood by bringing in lived experiences in his cinematic narrative.
来自边缘之外的叛乱:未被告知的部落的代表和Fandry的身份问题(2013)
摘要《Fandry》(2013)是由Nagraj Manjule编剧和导演的第一部故事片。这部电影获得了国家最佳处女作导演奖,并在国家和国际电影节上获得了多项荣誉。本文介绍了电影《Fandry》(2013)中未被告知的部落Kaikadi的形象。它始于对未被告知的部落的社会位置和这些社区周围的污名化的观察,以及《Fandry》作为一部电影如何成为反抗和形成反抗身份的载体。我还对Fandry的当代学术进行了批判性解读,它忽略了未被告知的部落身份,并将电影中的斗争与更大的达利特斗争和种姓问题混为一谈。虽然达利特人的框架构成了这部电影的背景,但我认为曼朱勒通过他的电影《Fandry》,通过在他的电影叙事中引入生活经历来维护人格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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