Chinoiserie and Beyond: Chinese Landskips and Printed Views in Eighteenth-Century British Geography Books

IF 0.4 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
C. Hsieh, Devin Leigh, Kay Chronister, Arif Camoglu, Hilary Havens, Claude Willan, K. Alves, Eun Kyung Min, Bradley Craig, Misty G. Anderson, Elizabeth Dill, Keenan Burton, Charlotte Trinquet du Lys, Hal Gladfelder, Elena Deanda-Camacho, William Selinger, Carrie Shanafelt, Nora Nachumi, Jordan Green, Antonio T. Bly, Mark Vareschi
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引用次数: 0

Abstract

Abstract:Chinese Landskips, a set of twelve prints published between 1750 and 1760, has been regarded as exemplifying the fashion of chinoiserie, continuing the process of pastiche and disseminating imaginary views of China. This article proposes another interpretation by situating these prints in the contexts of printed topographical views and illustrated geography books. An analysis of Chinese Landskips and the illustrations in The Geographical Magazine (1782–83) reveals that the strategies that made the images appear authoritative and credible to eighteenth-century visual habits were more important than the question of whether or not they were pastiche.
中国风与超越:18世纪英国地理书籍中的中国登陆船和印刷视图
摘要:1750年至1760年间出版的十二幅版画《中国山水画》被认为是中国风格的典范,延续了对中国的模仿和传播想象的过程。本文提出了另一种解释,将这些版画置于印刷地形图和图解地理书籍的背景下。对中国山水画和《地理杂志》(1782-83)插图的分析表明,使这些图像在18世纪的视觉习惯中显得权威和可信的策略比它们是否是赝品的问题更重要。
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来源期刊
EIGHTEENTH-CENTURY STUDIES
EIGHTEENTH-CENTURY STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
74
期刊介绍: As the official publication of the American Society for Eighteenth-Century Studies (ASECS), Eighteenth-Century Studies is committed to publishing the best of current writing on all aspects of eighteenth-century culture. The journal selects essays that employ different modes of analysis and disciplinary discourses to explore how recent historiographical, critical, and theoretical ideas have engaged scholars concerned with the eighteenth century.
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