‘I might be wrong’

Q2 Arts and Humanities
Rein Brouwer
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引用次数: 0

Abstract

For about ten years (1998-2008), Kester Brewin was one of the principal instigators of the Vaux community, a ‘vehicle for exploring radical theological thought and practice’. From these experiences and events, he wrote The Complex Christ: Signs of Emergence in the Urban Church (2004). Since then he moved on as a blogger, columnist, tedx-er, and writer. In 2016 he published Getting High: A Savage Journey to the Heart of the Dream of Flight with Vaux Publishing. Getting High is a fascinating reflection on an era dominated by the flight of technology (from the 1960s on), substituting for the eternal longing for the ultimate. But it is also a moving introspection into Brewin’s own life. Being the son of a preacher man, he was getting high on evangelical ecstasy as a young adult, before he became one of the influential figures in the emerging church movement. He ended up, however, ‘outside of what would be taken as orthodox belief.’ This paper discusses Kester Brewin’s ‘piratic’ thoughts on the church, based on his books, blogs, and columns. How did his ‘theological’ thinking evolve, and what does it mean for ecclesiology?
“我可能错了”
在大约十年的时间里(1998-2008年),凯斯特·布鲁因是沃社区的主要煽动者之一,沃社区是“探索激进神学思想和实践的工具”。从这些经历和事件中,他写下了《复杂的基督:城市教会出现的迹象》(2004)。从那时起,他成为了一名博客作者、专栏作家、tedx er和作家。2016年,他与Vaux出版社合作出版了《兴奋起来:通往飞行梦想之心的野蛮之旅》。《兴奋起来》是对一个由技术飞行主导的时代(从20世纪60年代开始)的迷人反思,取代了对终极的永恒渴望。但这也是对布鲁恩自己生活的一次感人的反省。作为一个传教士的儿子,在他成为新兴教会运动中有影响力的人物之一之前,他年轻时就对福音派如痴如醉。然而,他最终“脱离了正统信仰”本文根据凯斯特·布鲁因的著作、博客和专栏,讨论了他对教会的“海盗”思想。他的“神学”思想是如何演变的,对教会学意味着什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ecclesial Practices
Ecclesial Practices Arts and Humanities-Religious Studies
CiteScore
0.60
自引率
0.00%
发文量
12
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