The Color-Inlaid “Champlevé” Reliefs of the Synagogue at Sardis*

IF 0.8 2区 历史学
M. Rautman
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Abstract

One of the notable features of the Sardis Synagogue was its extensive decoration with floor mosaics, wall paintings, marble revetment, and opus sectile, with an ornamental relief arcade also appearing in the forecourt. Reliefs carved in the distinctive “champlevé” technique presented a series of arches with spandrels featuring vases, vines, and birds set against a reddish ground. The sculptural approach is not well known in the region, although examples of similar work have been reported across Europe and the east Mediterranean, most notably at Aizanoi, Antioch, and Kourion. Other fragments of incised and color-inlaid relief at Sardis suggest that the Synagogue arcade was carved by sculptors who were both familiar with the site and aware of broader trends in architectural ornament in the 6th century c.e. *Remembering Gene Kleinbauer (1937–2019)—teacher, mentor, and friend
萨迪斯犹太会堂的“Champlevé”浮雕*
萨迪斯犹太会堂的一个显著特点是其广泛的装饰,包括地板马赛克、壁画、大理石护坡和扇形作品,前院还出现了一个装饰性的浮雕拱廊。以独特的“chamlevé”工艺雕刻的浮雕呈现了一系列带有拱肩的拱门,以花瓶、藤蔓和鸟类为特色,背景是红色的地面。雕塑方法在该地区并不为人所知,尽管欧洲和东地中海都有类似作品的报道,最著名的是在艾扎诺伊、安条克和库里昂。萨迪斯的其他雕刻和彩色镶嵌浮雕碎片表明,犹太会堂拱廊是由熟悉该遗址并了解公元前6世纪建筑装饰更广泛趋势的雕塑家雕刻的。*纪念吉恩·克莱因鲍尔(1937–2019)——老师、导师和朋友
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