Delhi, diaspora and religious consciousness: heritage and palimpsest architecture in M. G. Vassanji’s A Place Within: Rediscovering India

IF 0.3 0 RELIGION
S. Bhat
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引用次数: 1

Abstract

ABSTRACT Intangible heritage and architecture, articulate specific cultural processes and history. In Vassanji’s non-fictional narrative A Place Within: Rediscovering India, there is place-making through the lens of culture, religion, history, politics and migration. Positioning himself as a tourist to his ancestral homeland, the author makes observations that can be critiqued through the concept of ‘palimpsest’ – an intriguing ‘layering’ that gesture at wider circuits of culture. This study is an examination of the diasporic consciousness, religious encounters; heritage narrative features, the tracing of overlapping cultural spheres in Delhi, aesthetic and political tensions, as represented in Vassanji’s narrative. The article is an exploration of a broad system of cultural and religious discursive constructions and practices in architecture, as suggested in the non-fictional narrative.
德里,侨民和宗教意识:M. G. Vassanji的《一个地方:重新发现印度》中的遗产和重写建筑
非物质遗产和建筑,表达了特定的文化进程和历史。在瓦桑吉的非虚构叙事《一个内在的地方:重新发现印度》中,通过文化、宗教、历史、政治和移民的视角,进行了地方塑造。作者将自己定位为一个到故土旅游的游客,他的观察可以通过“重写本”的概念进行批判——这是一种有趣的“分层”,表明了更广泛的文化循环。这项研究是对流散意识、宗教遭遇的考察;遗产叙事特征,德里重叠文化领域的追踪,美学和政治紧张局势,如瓦桑吉的叙事所表现的那样。这篇文章是对建筑中文化和宗教话语结构和实践的广泛系统的探索,正如非虚构叙事所暗示的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
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