{"title":"Delhi, diaspora and religious consciousness: heritage and palimpsest architecture in M. G. Vassanji’s A Place Within: Rediscovering India","authors":"S. Bhat","doi":"10.1080/14755610.2020.1833057","DOIUrl":null,"url":null,"abstract":"ABSTRACT Intangible heritage and architecture, articulate specific cultural processes and history. In Vassanji’s non-fictional narrative A Place Within: Rediscovering India, there is place-making through the lens of culture, religion, history, politics and migration. Positioning himself as a tourist to his ancestral homeland, the author makes observations that can be critiqued through the concept of ‘palimpsest’ – an intriguing ‘layering’ that gesture at wider circuits of culture. This study is an examination of the diasporic consciousness, religious encounters; heritage narrative features, the tracing of overlapping cultural spheres in Delhi, aesthetic and political tensions, as represented in Vassanji’s narrative. The article is an exploration of a broad system of cultural and religious discursive constructions and practices in architecture, as suggested in the non-fictional narrative.","PeriodicalId":45190,"journal":{"name":"Culture and Religion","volume":"20 1","pages":"409 - 425"},"PeriodicalIF":0.3000,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14755610.2020.1833057","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14755610.2020.1833057","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Intangible heritage and architecture, articulate specific cultural processes and history. In Vassanji’s non-fictional narrative A Place Within: Rediscovering India, there is place-making through the lens of culture, religion, history, politics and migration. Positioning himself as a tourist to his ancestral homeland, the author makes observations that can be critiqued through the concept of ‘palimpsest’ – an intriguing ‘layering’ that gesture at wider circuits of culture. This study is an examination of the diasporic consciousness, religious encounters; heritage narrative features, the tracing of overlapping cultural spheres in Delhi, aesthetic and political tensions, as represented in Vassanji’s narrative. The article is an exploration of a broad system of cultural and religious discursive constructions and practices in architecture, as suggested in the non-fictional narrative.