{"title":"Photographs as Instruments of Public Diplomacy: China’s Visual Storytelling during the Covid-19 Pandemic","authors":"Olli Hellmann, K. Oppermann","doi":"10.1163/1871191x-bja10097","DOIUrl":null,"url":null,"abstract":"\nThis article explores the effectiveness of photographs as instruments of public diplomacy through an analysis of China’s visual storytelling during the Covid-19 outbreak. Beijing considered the pandemic an existential threat to its image and responded with a communications offensive that was designed to highlight the regime’s success in containing the Coronavirus — both at home and abroad — and to safeguard the wider ‘China story’ of a ‘peace-loving and responsible global leader’. By combining scholarship on public diplomacy and strategic narratives with the ‘visual turn’ literature in international relations, this article focuses on the non-verbal dimension of China’s storytelling and explores the impact of photographs — distributed by the regime’s news agency, Xinhua — on international public opinion. Through a survey experiment among 1,000 US adults, we demonstrate that such photographs had a positive effect on China’s international image, but that this effect was moderated by levels of political knowledge among the target audience.","PeriodicalId":44787,"journal":{"name":"Hague Journal of Diplomacy","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hague Journal of Diplomacy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1871191x-bja10097","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"INTERNATIONAL RELATIONS","Score":null,"Total":0}
引用次数: 1
Abstract
This article explores the effectiveness of photographs as instruments of public diplomacy through an analysis of China’s visual storytelling during the Covid-19 outbreak. Beijing considered the pandemic an existential threat to its image and responded with a communications offensive that was designed to highlight the regime’s success in containing the Coronavirus — both at home and abroad — and to safeguard the wider ‘China story’ of a ‘peace-loving and responsible global leader’. By combining scholarship on public diplomacy and strategic narratives with the ‘visual turn’ literature in international relations, this article focuses on the non-verbal dimension of China’s storytelling and explores the impact of photographs — distributed by the regime’s news agency, Xinhua — on international public opinion. Through a survey experiment among 1,000 US adults, we demonstrate that such photographs had a positive effect on China’s international image, but that this effect was moderated by levels of political knowledge among the target audience.