Photographs as Instruments of Public Diplomacy: China’s Visual Storytelling during the Covid-19 Pandemic

IF 0.9 Q3 INTERNATIONAL RELATIONS
Olli Hellmann, K. Oppermann
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引用次数: 1

Abstract

This article explores the effectiveness of photographs as instruments of public diplomacy through an analysis of China’s visual storytelling during the Covid-19 outbreak. Beijing considered the pandemic an existential threat to its image and responded with a communications offensive that was designed to highlight the regime’s success in containing the Coronavirus — both at home and abroad — and to safeguard the wider ‘China story’ of a ‘peace-loving and responsible global leader’. By combining scholarship on public diplomacy and strategic narratives with the ‘visual turn’ literature in international relations, this article focuses on the non-verbal dimension of China’s storytelling and explores the impact of photographs — distributed by the regime’s news agency, Xinhua — on international public opinion. Through a survey experiment among 1,000 US adults, we demonstrate that such photographs had a positive effect on China’s international image, but that this effect was moderated by levels of political knowledge among the target audience.
照片作为公共外交的工具:新冠肺炎大流行期间的中国视觉故事
本文通过分析新冠肺炎疫情期间中国的视觉叙事,探讨了照片作为公共外交工具的有效性。北京认为这场大流行对其形象构成了生死存亡的威胁,并以一场宣传攻势作为回应,旨在突出政权在国内外遏制冠状病毒的成功,并捍卫“爱好和平、负责任的全球领导者”这一更广泛的“中国故事”。通过将公共外交和战略叙事方面的学术研究与国际关系中的“视觉转向”文学相结合,本文将重点放在中国叙事的非语言维度上,并探讨了由政府新闻机构新华社发布的照片对国际舆论的影响。通过对1000名美国成年人的调查实验,我们证明了这些照片对中国的国际形象有积极的影响,但这种影响受到目标受众政治知识水平的调节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Hague Journal of Diplomacy
Hague Journal of Diplomacy INTERNATIONAL RELATIONS-
CiteScore
3.10
自引率
28.60%
发文量
55
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