Postdependent Eastern Europe: Critical Avenues and Literary Representations

IF 0.4 2区 文学 0 LITERATURE
Martyna Bryla
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引用次数: 2

Abstract

Abstract:Is Eastern Europe postcolonial? This question has animated scholarly debate in the region and beyond for two decades, and while there is no conclusive answer to it, postcolonial theory has been used to illuminate Eastern Europe's experience of postcommunism and the conflicted legacies of the former system. This essay explores some of the recurring arguments and critical directions in the postcolonial/postcommunist debate, placing particular emphasis on a scholarly compromise between the two: the Polish-born field of postdependence studies, which enables a productive adaptation of postcolonial theory to the specificity of postcommunist cultures. Although the field has been mostly concerned with the Eastern European experience of postdependence, this essay expands the postdependence framework to examine the depiction of postcommunist transitions in three American "safari novels": Arthur Phillips' Prague, John Beckman's The Winter Zoo, and Gary Shteyngart's The Russian Debutante's Handbook. In doing so, this essay traces the emergence of the region's post-1989 reliance on the West and of new patterns of cultural representation, which nevertheless still draw from the patterns consolidated during the Cold War.
后依附的东欧:批评途径与文学表现
摘要:东欧是后殖民主义吗?二十年来,这个问题在该地区及其他地区引发了激烈的学术辩论,虽然没有结论性的答案,但后殖民理论已经被用来阐明东欧后共产主义的经历和前制度的冲突遗产。本文探讨了后殖民/后共产主义辩论中反复出现的一些论点和批评方向,特别强调两者之间的学术妥协:波兰出生的后依赖研究领域,这使得后殖民理论能够有效地适应后共产主义文化的特殊性。尽管这一领域主要关注的是东欧的后依附经历,但本文扩展了后依附的框架,考察了三部美国“狩猎小说”对后共产主义过渡的描述:阿瑟·菲利普斯的《布拉格》、约翰·贝克曼的《冬季动物园》和加里·施特因加特的《俄罗斯初涉社会的少女手册》。在此过程中,本文追溯了1989年后该地区对西方的依赖以及文化表现的新模式的出现,尽管如此,这些模式仍然来自冷战期间巩固的模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
41
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