The Yiddish Wedding Folk Songs of East European Jews: Function, Ethnography, Sociology, Texts, and Music

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
L. Sholokhova
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引用次数: 1

Abstract

Abstract:The genre of Yiddish wedding songs as such did not exist in the Jewish music tradition and the wedding songs could be only identified by content, but not by function. The wedding songs were mainly performed before the wedding (by women) and less at wedding events (by men). However, although the Yiddish wedding folk songs didn't play a major ritual role in the actual wedding ceremony, their narrative and musical content represent an extremely important material that helped explain a deep, hidden, emotional context of the wedding and events preceding it. This article aims at a comprehensive analysis of this unique type of song in a broader sociological context, and identifies and reviews several categories of such songs in accordance with their place in the sequence of pre-wedding, wedding, and post-wedding events.
东欧犹太人的意第绪语婚礼民歌:功能、民族志、社会学、文本和音乐
摘要:犹太音乐传统中不存在意第绪语婚礼歌曲这一类型,婚礼歌曲只能通过内容来识别,而不能通过功能来识别。婚礼歌曲主要在婚礼前(女性)演唱,在婚礼活动中(男性)演唱的较少。然而,尽管意第绪语婚礼民歌在实际的婚礼仪式中没有发挥主要的仪式作用,但它们的叙事和音乐内容代表了一种极其重要的材料,有助于解释婚礼和之前事件的深层、隐藏的情感背景。本文旨在在更广泛的社会学背景下对这种独特的歌曲类型进行全面分析,并根据其在婚前,婚礼和婚礼后事件中的顺序识别和回顾几类此类歌曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.50
自引率
0.00%
发文量
21
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