A Tale of Two Trans Men: Transmasculine Identity and Trauma in Two Fairy-Tale Retellings

IF 0.5 Q3 CULTURAL STUDIES
J. Jorgensen
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引用次数: 0

Abstract

Abstract Transgender identities in fairy tale retellings are rare, but can reveal much about gender fluidity. Helen Oyeyemi’s novel Boy, Snow, Bird conflates transgender identities with mirrored falsehoods and fairy-tale spells, pathologizing a trauma victim who turns out to also become an abuser, while Gabriel Vidrine’s novella “A Pair of Raven Wings” depicts a queer transgender man with dignity, making it clear that the trauma he suffers is at the hands of bigots rather than being an invention of a sick mind or the cause of his transition. Pairing these fairy-tale retellings illuminates the topic of gender fluidity in fairy tales by demonstrating that gender is indeed fluid, but that representations of gender fluidity due to trauma are misguided at best and harmful at worst, while those representations that assert the dignity of transgender people, even as they face trauma at the hands of bigoted people, are another stellar example of the genre’s potential to represent people who are culturally marginalized, connecting identity to power in a classic magical fairy-tale move.
两个跨性别者的故事:两次童话复述中的跨性别身份与创伤
童话故事重述中的跨性别身份是罕见的,但却能揭示出许多关于性别流动性的信息。海伦·欧耶米(Helen Oyeyemi)的小说《男孩,雪,鸟》(Boy, Snow, Bird)将跨性别身份与反映出来的谎言和童话般的咒语混为一谈,将一个最终成为施虐者的创伤受害者病态化,而加布里埃尔·维德林(Gabriel Vidrine)的中篇小说《一对乌鸦的翅膀》(a Pair of Raven Wings)描绘了一个有尊严的酷儿跨性别男子,清楚地表明他所遭受的创伤是由偏执者造成的,而不是病态思维的创造,也不是他转变的原因。将这些童话故事的复述结合起来,通过证明性别确实是流动的,阐明了童话故事中性别流动性的主题,但由于创伤而产生的性别流动性的表现往好了说是被误导的,往坏了说是有害的,而那些主张跨性别者尊严的表现,即使他们面临着偏执者的创伤,也是该类型表现文化边缘化人群潜力的另一个杰出例子。以经典的魔幻童话般的动作将身份与权力联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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