{"title":"Representing Social Actors in the Annunciation (Luke 1:26–38)","authors":"Bart B. Bruehler","doi":"10.1353/neo.2022.0013","DOIUrl":null,"url":null,"abstract":"Abstract:Luke's account of the annunciation to Mary (1:26-38) represents key social actors (Gabriel, God, Mary, and Jesus) through a variety of linguistic forms in a few noticeable patterns. These representations can be categorised and clarified using the social actor network developed by Theo van Leeuwen within the larger field of critical discourse analysis. Using this analytical tool, we see that Gabriel is functionalised as a messenger, God is activated (except in God's role as father), and Mary and Jesus are both represented as passive recipients and key actors in the drama of the coming salvation. The investigation concludes with a consideration of the ethical and ideological implications of these representation patterns.","PeriodicalId":42126,"journal":{"name":"Neotestamentica","volume":"56 1","pages":"33 - 55"},"PeriodicalIF":0.1000,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Neotestamentica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/neo.2022.0013","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Luke's account of the annunciation to Mary (1:26-38) represents key social actors (Gabriel, God, Mary, and Jesus) through a variety of linguistic forms in a few noticeable patterns. These representations can be categorised and clarified using the social actor network developed by Theo van Leeuwen within the larger field of critical discourse analysis. Using this analytical tool, we see that Gabriel is functionalised as a messenger, God is activated (except in God's role as father), and Mary and Jesus are both represented as passive recipients and key actors in the drama of the coming salvation. The investigation concludes with a consideration of the ethical and ideological implications of these representation patterns.
摘要:路加福音对马利亚报喜的描述(1:26-38)通过多种语言形式,以几种明显的模式表现了主要的社会角色(加百列、上帝、马利亚和耶稣)。这些表征可以使用Theo van Leeuwen在更大的批评话语分析领域内开发的社会行动者网络进行分类和澄清。使用这个分析工具,我们看到加布里埃尔被功能化为一个信使,上帝被激活(除了上帝作为父亲的角色),玛丽和耶稣都被表现为被动的接受者和即将到来的救赎戏剧的关键演员。调查以考虑这些代表性模式的伦理和意识形态含义结束。