Form and/as Mode of Existence

IF 0.2 0 LITERATURE, ROMANCE
J. Gilbert
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引用次数: 1

Abstract

This essay focuses on two of the modes of existence posited by AIME, a collaborative project comprising Bruno Latour’s monograph An Inquiry into Modes of Existence and a multiauthored website associated with it. I juxtapose the modes of reference [REF] and fiction [FIC] with a famous digression reflecting on historiographical practice in William of Malmesbury’s Gesta regum Anglorum. AIME offers analytical rigor to medievalists’ discussions of the notorious overlap between “history” and “fiction.” William’s bold use of [FIC] to advance [REF] is in the spirit of AIME’s project, though he goes further in trusting [FIC] than AIME is always willing to do. An instance of medieval historiography thus leads the way in overcoming a residual Modern suspicion of a nonreferential mode of existence and of knowledge. Additionally, although AIME’s restriction of crossings to two modes is useful for defining each, in practice more than two are often found “plaited.” I make this argument through a discussion of the use of brackets to mark verse form and rhyme scheme in medieval manuscripts: an example of [TEC•FIC•REF] plaiting. Finally, I call for further development of the multimodal possibilities of “form,” which AIME flags but does not pursue, and for a new mode of existence to be added to Latour’s list: [FOR].
形式和/或存在方式
这篇文章聚焦于AIME提出的两种存在模式,这是一个由布鲁诺·拉图尔的专著《存在模式的调查》和一个与之相关的多作者网站组成的合作项目。AIME为中世纪主义者对“历史”和“小说”之间臭名昭著的重叠的讨论提供了分析的严谨性。威廉大胆使用[FIC]来推进[REF]符合AIME项目的精神,尽管他在信任[FIC]方面比AIME一直愿意做的更进一步。因此,中世纪史学的一个例子引领了克服现代对存在和知识的非参考模式的残余怀疑。此外,尽管AIME将交叉点限制为两种模式有助于定义每种模式,但在实践中,通常会发现两种以上的模式被“编成”。我通过讨论中世纪手稿中使用括号来标记诗歌形式和押韵方案来提出这一论点:[TEC•FIC•REF]编成的一个例子。最后,我呼吁进一步发展AIME标记但不追求的“形式”的多模式可能性,并将一种新的存在模式添加到Latour的列表中:[for]。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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