Diplomatic Parrhesia and the Ethos of Trustworthiness in Hotman’s The Ambassador and Shakespeare’s Henry V

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
De Carles, Nathalie Rivere
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引用次数: 0

Abstract

Sir Henry Wotton’s definition of an ambassador as “an honest man sent to lie abroad for the good of his country” should be confronted with his later assessment that the ambassador “should alwayes, and upon all occasions speak the truth … ’twill also put [his] Adversaries (who will still hunt counter) to a loss in all their disquisitions, and undertakings.” Wotton’s contrasting views point to the early modern concern with true, bold, and plain speech, known as parrhesia, and its importance in diplomatic practice. Combining Quentin Skinner’s rhetorical approach to political language and Timothy Hampton’s literary analysis of diplomacy, this essay examines Shakespeare’s mirror of diplomatic speech featured in Henry V (ca. 1599) in light of Jean Hotman’s reflections on parrhesia in The Ambassador (1603). Analyzing theoretical and dramatic views of parrhesiastic speech in early modern diplomacy, the essay argues for diplomatic parrhesia as a matter of trustworthiness rather than sincerity. Shakespeare introduces a new perspective on the ambassador’s speech and its function and on the capacity of authorities to hear truthful speech, while reasserting the political necessity of good parrhesia.
外交Parhesia与Hotman的《大使》和莎士比亚的《亨利五世》中的诚信伦理
亨利·沃顿爵士将大使定义为“一个为了国家利益而被派往国外撒谎的诚实人”,这应该与他后来的评估相矛盾,即大使“应该永远,在任何场合都说实话……”twill也让[他的]敌人(仍将反击)在所有的研究和事业中蒙受损失。Wotton对比鲜明的观点指出了现代早期对真实、大胆和平淡的演讲的关注,即所谓的“鹦鹉学舌”,以及它在外交实践中的重要性。本文结合昆汀·斯金纳对政治语言的修辞方法和蒂莫西·汉普顿对外交的文学分析,结合让·霍特曼在《大使》(1603)中对假语的思考,考察了莎士比亚在《亨利五世》(约1599年)中的外交言论镜像。本文分析了现代早期外交中假语的理论观点和戏剧性观点,认为外交假语是一个值得信赖的问题,而不是真诚的问题。莎士比亚从新的角度介绍了大使的演讲及其功能,以及当局听取真实演讲的能力,同时重申了良好复述的政治必要性。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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