{"title":"Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory","authors":"R. Franks","doi":"10.5325/JASIAPACIPOPCULT.3.2.0303","DOIUrl":null,"url":null,"abstract":"abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.","PeriodicalId":40211,"journal":{"name":"Journal of Asia-Pacific Pop Culture","volume":"3 1","pages":"303 - 323"},"PeriodicalIF":0.2000,"publicationDate":"2019-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Asia-Pacific Pop Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/JASIAPACIPOPCULT.3.2.0303","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.