Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
R. Franks
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引用次数: 0

Abstract

abstract:The year 2017 marked the eighty-fifth anniversary of the death of Fergusson (Fergus) Wright Hume (1859–1932). Best known for his hugely successful debut novel The Mystery of a Hansom Cab (1886), set in Australia’s Melbourne, Hume went on to write many more works of fiction in the form of novels and short stories. These efforts resulted in a vast array of titles but none that captured the public imagination on a large scale and they are, today, mere curiosities of literary history. The closest that Hume came to replicating the publishing glory of The Mystery of a Hansom Cab was with his Australian-based murder mystery Madame Midas (1888). This article briefly explores Madame Midas and, while noting the story’s modest successes as both a book and a stage play, offers feminist and nationalist-focused rationales for this work’s inability to generate the same levels of excitement that surrounded, and continue to surround, Hume’s first novel.
《迈达斯夫人》(1888):休谟复制出版界辉煌的尝试之一
2017年是休谟(1859-1932)逝世85周年。休谟的处女作《汉索姆马车之谜》(1886)以澳大利亚墨尔本为背景,大获成功,此后休谟又创作了许多长篇小说和短篇小说。这些努力产生了大量的标题,但没有一个能大规模地抓住公众的想象力,今天,它们仅仅是文学史上的珍品。休谟最接近于复制《汉索姆出租车之谜》的出版荣耀的是他以澳大利亚为背景的谋杀悬案《迈达斯夫人》(1888)。本文简要地探讨了《迈达斯夫人》,虽然注意到这个故事作为一本书和一部舞台剧都取得了适度的成功,但它为这部作品无法像休谟的第一部小说那样产生同样程度的兴奋提供了女权主义者和民族主义者关注的理由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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