‘Visages Villages: documenting creative collaboration’

Kelley Conway
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引用次数: 1

Abstract

ABSTRACT Visages Villages (2017), co-directed by Agnès Varda and photographer JR, is a performative, poetic documentary structured around the pair’s creation of portraits of ordinary people in the far-flung villages of rural France. This essay examines the links between Visages Villages and Varda’s documentary practice as a whole. The film extends Varda’s longstanding preoccupation with the power of place, documenting the filmmakers’ travels and their establishment of connections with people they meet on the road. The specificity of Visages Villages resides in its weaving together of the key motifs of vision and the vagaries of friendship, resulting in a series of staged and spontaneous encounters that raise questions about the function of art and the nature of collaboration.
“签证村:记录创造性合作”
由agn·瓦尔达(agn Varda)和摄影师JR共同执导的《面容村庄》(2017)是一部表现性的、诗意的纪录片,围绕着他们对法国偏远农村普通人的肖像创作展开。本文从整体上考察了维萨奇村与瓦尔达纪录片实践之间的联系。这部电影延续了瓦尔达长期以来对地点力量的关注,记录了电影制作人的旅行,以及他们与旅途中遇到的人建立的联系。Visages village的特殊性在于它将视觉的关键主题和变幻莫测的友谊编织在一起,导致一系列上演和自发的遭遇,引发了关于艺术功能和合作本质的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in French Cinema
Studies in French Cinema FILM, RADIO, TELEVISION-
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