Obrazová struktura skutečnosti v platonské tradici a její křesťanská reinterpretace

Q3 Arts and Humanities
Reflexe Pub Date : 2023-05-05 DOI:10.14712/25337637.2023.1
Lenka Karfíková
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引用次数: 0

Abstract

The myth in Plato’s Timaeus narrates the process of organising the chaotic traces of ideas, mirrored in the medium of the chora, into cosmic order, the beautiful corporeal world as a divine image. In his exegesis of the Timaeus, Plotinus enlarges the iconic structure, applying it to the whole of reality, including the Intellect as an image of the One, the soul as an image of the Intellect and the cosmos as an image of the soul. The early Christian authors, inheritors of this tradition and interpreters of the Bible, present not only human beings as an image of God (Gen 1:26f.) or Christ but, at the same time, Christ as the privileged Image of God (Col 1:15).
柏拉图传统中的现实视觉结构及其基督教的重新阐释
柏拉图的《提马约》中的神话讲述了将反映在合唱媒介中的混乱的思想痕迹组织成宇宙秩序的过程,即作为神圣形象的美丽物质世界。普罗提努斯在其对《帖玛》的训诫中,扩大了标志性结构,将其应用于整个现实,包括作为“一”的形象的“智”,作为“智”的形象而存在的灵魂,以及作为“灵魂”的形象存在的宇宙。早期的基督教作家,这一传统的继承者和圣经的解释者,不仅将人类作为上帝的形象(创1:26f)或基督,而且同时将基督作为上帝的特权形象(Col 1:15)。
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来源期刊
Reflexe
Reflexe Arts and Humanities-Philosophy
CiteScore
0.20
自引率
0.00%
发文量
30
审稿时长
25 weeks
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