Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora

Claudia Bucciferro
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Abstract

This article addresses the long-standing connection between music and social activism in Latin America, centering on a discussion of ‘the music of exile’ as a cultural artifact of historical and conceptual significance for diasporic Latin American communities. The music produced by artists who were persecuted during the years of military rule was characterized by an engagement with social and political affairs, and often helped bring people together in the struggle for democratization. Despite censorship laws and other repressive measures enacted by the dictatorships, the music not only endured, but traveled across nations and continents, carried by the millions of people who were displaced due to State-sponsored violence. Now distributed through new media platforms such as YouTube, this music functions as a repository of memory and an emblem of solidarity that connects dispersed Latin American communities. Using Cultural Studies as a theoretical framework and employing an interpretive methodology, this study focuses on a selection of songs written between 1963 and 1992, presenting an analysis that centers on their lyrics and connects their meanings to larger social processes.
流亡之歌:拉丁美洲侨民的音乐、激进主义和团结
本文探讨了音乐与拉丁美洲社会激进主义之间的长期联系,重点讨论了“流亡音乐”作为一种对散居的拉丁美洲社区具有历史和概念意义的文化产物。在军事统治期间受到迫害的艺术家创作的音乐的特点是参与社会和政治事务,并经常帮助人们团结起来争取民主化。尽管独裁政权颁布了审查法和其他镇压措施,但音乐不仅经久不衰,而且由因国家支持的暴力而流离失所的数百万人携带,穿越了各个国家和大陆。这首音乐现在通过YouTube等新媒体平台传播,它是记忆的宝库,也是团结的象征,将分散的拉丁美洲社区联系在一起。本研究以文化研究为理论框架,采用解释方法,重点研究了1963年至1992年间创作的歌曲,并对其歌词进行了分析,将其意义与更大的社会进程联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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