Zachowane baldachimy procesyjne na terenie Małopolski z wieku XVII i XVIII

Szymon Tracz
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Abstract

During 17th and 18th centuries processional canopies took a form of a decorative canopy usually made of fabric stretched on a frame, attached to ornamental poles. As a result, this construction enabled people to carry those canopies. First of all, processional canopies were used during theophoric processions. Such canopies were usually made of non-durable materials, and, therefore, only a few of them are still preserved. Based on information provided in various archival sources as well as remaining examples of processional canopies, one can divide them, due to their shape, into two types. The first type that is also the most numerous are canopies with a wooden or metal frame on a rectangular projection that is close to the square, with two or four poles. The second type are oval canopies in the shape of an umbrella, set on single poles, with an example of the 18th-century canopy in Bielany near Kety. In both types, the most important decorative element was fabric stretched on a frame that formed an inside ceiling of a canopy as well as its top, also forming its sides with a frill or pelmet. Generally, the inside ceiling and the top of the canopy were made of two different kinds of fabrics. The top of the canopy was usually flat, but there were examples of more dynamic forms, e.g. a canopy from the 2nd half of 18th century in Kacwina. Also, some decorative elements such as braids, laces, fringes, tapes, embroideries and tassels were used. Canopy poles were carved and painted. The best examples of a classic baroque canopy are the oldest remaining canopy in Lesser Poland dated approximately for 1663 in Polanka Wielka and a canopy made of the 17th-century fabric in the church of St. Anna in Krakow. Sometimes the top of a canopy was surrounded with openwork, a richly carved and gilded frame, such as a canopy from the 3rd quarter of the 18th century in Krzywaczka or in the church of St. Anna in Nowy Targ (2nd half of 18th century). An interesting type of canopies were the canopies made entirely of wood and decorated with painted and gilded woodcarvings. The examples of such canopies include the canopies preserved in Spisz, in the church in Frydman (2nd half of 18th century), in Krempachy (2nd half of 18th century) and Trybsz and, last but the least, a well-known from archival photographs but currently non-existing canopy from the end of the 18th century in Łapsze Nizne. The most important decorative elements of these canopies are richly carved and gilded wooden frames with their tops made of fabric or plank. The second type of canopies in the shape of an open and folded umbrella is represented by a currently non-existent 18th-century umbrella in Bielany near Kety. The canopies from the following two centuries mostly took a shape based on a simple wooden frame with a textile top and straight sides or on a form of a pelmet. Also, there are examples of canopies in which wood ­carvings are added to the textile elements.
17世纪和18世纪在马乌波尔斯卡保留的游行雨棚
在17世纪和18世纪,游行雨棚采用了一种装饰性雨棚的形式,通常由框架上的织物制成,连接在装饰杆上。因此,这种建筑使人们能够携带这些雨棚。首先,在神权游行中使用了游行雨棚。这种檐篷通常由不耐用的材料制成,因此,只有少数檐篷仍被保存下来。根据各种档案来源提供的信息以及游行檐篷的剩余例子,人们可以根据其形状将其分为两种类型。第一种也是数量最多的是在靠近正方形的矩形投影上有木制或金属框架的雨棚,有两根或四根杆子。第二种是伞形的椭圆形雨棚,设置在单杆上,以凯蒂附近比拉尼的18世纪雨棚为例。在这两种类型中,最重要的装饰元素是在框架上拉伸的织物,该框架形成了雨棚的内部天花板及其顶部,也形成了带有褶皱或饰边的侧面。通常,内部天花板和雨棚顶部由两种不同的织物制成。遮篷的顶部通常是平的,但也有更具活力的例子,例如18世纪下半叶在卡奇纳的遮篷。此外,还使用了一些装饰元素,如辫子、鞋带、流苏、带子、刺绣和流苏。雨棚杆是雕刻和油漆的。经典巴洛克式华盖的最好例子是小波兰现存最古老的华盖,约建于1663年,位于波兰卡-维尔卡,以及圣教堂的17世纪织物华盖。安娜在克拉科夫。有时,雨棚的顶部被透雕、雕刻精美的镀金框架包围,比如18世纪第三季度在克日瓦奇卡或圣教堂的雨棚。《诺维塔格的安娜》(18世纪下半叶)。一种有趣的檐篷是完全由木材制成,并用彩绘和镀金木雕装饰的檐篷。此类檐篷的例子包括保存在Spisz、Frydman教堂(18世纪下半叶)、Krempachy教堂(18年代下半叶和Trybsz教堂的檐篷,最后但最不重要的是,档案照片中的一个著名檐篷,但目前不存在于18世纪末的Łapsze Nizne。这些檐篷最重要的装饰元素是雕刻精美、镀金的木制框架,顶部由织物或木板制成。第二种类型的伞篷是一把打开和折叠的伞,以凯蒂附近比拉尼目前不存在的18世纪伞为代表。在接下来的两个世纪里,檐篷的形状大多基于一个简单的木制框架,顶部是织物,侧面是直的,或者是一种pelmet的形式。此外,也有一些檐篷的例子,其中在纺织元素中添加了木雕。
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