Whether Verbal or Visual, Affirmative or Negative, Tautologies are Not Tautologies

IF 2.2 3区 文学 0 LANGUAGE & LINGUISTICS
R. Giora, Ofer Fein, Vered Heruti
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引用次数: 2

Abstract

ABSTRACT In this paper we test the hypothesis that tautologies (An X is an X; X is X) are actually not tautologies (i.e., not repetitive). Indeed, when exploring natural language use, it seems that, having expressed such “uninformative” statements, speakers, most often, spell out their specific intended interpretation, rendering these messages informative (Section 2). Visual/pictorial tautologies are also informative; either they allow the observers to come up with their own interpretation, or often, the artists use language to spell out the intended message (Section 3). Whether in language or in picture, artists tend to deautomatize the familiar, thereby rendering tautologies Optimally Innovative. Additionally, they often produce tautologies that convey figurative messages, whether metaphorical or sarcastic, thus allowing these tautologies to be highly creative (Section 5). Tautologies, then, communicate innovative messages, even when implicitly so. In fact, tautologies may often covertly reject the default salient meaning, while explicitly enlarging on it by using a novel, nondefault alternative.
无论是口头的还是视觉的,肯定的还是否定的,重言式都不是重言式
摘要本文检验了重言式(一个X是一个X;X是X)实际上不是重言式(即不重复)。事实上,在探索自然语言的使用时,似乎在表达了这种“无信息”的陈述后,说话者通常会说出他们特定的预期解释,使这些信息具有信息性(第2节)。视觉/图像重言也具有信息性;他们允许观察者提出自己的解释,或者通常,艺术家使用语言来阐明想要传达的信息(第3节)。无论是在语言还是在图像中,艺术家都倾向于将熟悉的东西去自动化,从而使重言式达到最佳创新。此外,它们经常产生传递比喻信息的重言式,无论是隐喻的还是讽刺的,从而使这些重言式具有高度的创造性(第5节)。因此,重言式传达了创新信息,即使是含蓄的。事实上,重言式可能经常暗中拒绝默认的显著意义,同时通过使用一个新颖的、非默认的替代来明确地扩大它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.90
自引率
0.00%
发文量
23
期刊介绍: Metaphor and Symbol: A Quarterly Journal is an innovative, multidisciplinary journal dedicated to the study of metaphor and other figurative devices in language (e.g., metonymy, irony) and other expressive forms (e.g., gesture and bodily actions, artworks, music, multimodal media). The journal is interested in original, empirical, and theoretical research that incorporates psychological experimental studies, linguistic and corpus linguistic studies, cross-cultural/linguistic comparisons, computational modeling, philosophical analyzes, and literary/artistic interpretations. A common theme connecting published work in the journal is the examination of the interface of figurative language and expression with cognitive, bodily, and cultural experience; hence, the journal''s international editorial board is composed of scholars and experts in the fields of psychology, linguistics, philosophy, computer science, literature, and media studies.
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