Reforming Radio: BBC Radio’s Music Policy 1957-1967

R. Witts
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引用次数: 0

Abstract

This article examines attempts by the centralised policy makers of the British Broadcasting Corporation (BBC) to overcome a crisis at their radio service consequent to the launch of commercial television in 1955. It looks in particular at the work – the successes, failures and frustrations – of an assistant director, a bureaucrat, who planned to regenerate music policy, especially so in terms of pop and light music, which led to the formation of the numbered station system still in use today: Radios 1 - 4. Using primary sources from the BBC’s written archives, the article will identify the oppositions he faced from external forces (the Sound Broadcasting Society, the Musicians’ Union) and the internal staff (music department operatives, presenters). It will attempt to explain, through the prism of Michel Crozier’s study The Bureaucratic Phenomenon (1964), how the assistant director overcame these hurdles across the ten years of time that it took to pummel policy into practice.
改革广播:英国广播公司1957-1967年的音乐政策
这篇文章考察了英国广播公司(BBC)的中央决策者试图克服1955年商业电视推出后广播服务的危机。它特别关注一位助理导演的工作——成功、失败和挫折——一位官僚,他计划重新制定音乐政策,尤其是在流行音乐和轻音乐方面,这导致了今天仍在使用的编号电台系统的形成:Radios 1-4。这篇文章将利用英国广播公司书面档案中的主要来源,确定他面临的来自外部势力(声音广播协会、音乐家联盟)和内部工作人员(音乐部门工作人员、主持人)的反对。它将试图通过米歇尔·克罗齐尔(Michel Crozier)的研究《官僚现象》(1964)来解释这位助理局长是如何在将政策付诸实践的十年时间里克服这些障碍的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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35
审稿时长
26 weeks
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