Ecclesiastical Armageddon: The Church of Ireland and Catholicism in Hyacinth by George A. Birmingham

Gerard Dineen
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Abstract

Though favorably compared to the work of Bernard Shaw and George Moore when first published in 1906, Hyacinth by George A. Birmingham, like all of that prolific writer’s fiction, has since been eclipsed by the literature of these and other writers from the period. Consequently, the novel has received very little scholarly attention, despite its noteworthy presentation of and apparent attempt to influence the ecclesial dynamics obtaining in Edwardian Ireland. Hyacinth is primarily concerned with the careful symbolic sequencing of a number of episodes from Irish ecclesiastical history, which in their ordered entirety within the text depict, over the course of half a century, the gradual disengagement, diminution, and political isolation of the Church of Ireland during the time frame of the novel. Beginning in the 1850s during the latter phase of the Second Reformation—a movement which historically evinced an aggressive crusading capacity within Anglicanism as that campaign was effectively an act
《教会的末日:爱尔兰教会和风信子中的天主教》乔治·a·伯明翰著
尽管与1906年首次出版的萧伯纳和乔治·摩尔的作品相比,乔治·a·伯明翰的《风信子》颇受欢迎,但与所有多产作家的小说一样,《风信子》在这两位作家和同一时期其他作家的作品面前黯然失色。因此,小说已经收到很少的学术关注,尽管它值得注意的表现和明显的企图影响教会动态获得爱德华七世爱尔兰。风信子主要关注的是爱尔兰教会历史上一系列事件的精心象征性顺序,这些事件在文本中有序地描述了半个世纪以来,爱尔兰教会在小说的时间框架内逐渐脱离,缩小和政治孤立。从19世纪50年代开始,在第二次宗教改革的后期,这是一场历史上在英国国教内部表现出积极的十字军运动,因为这场运动实际上是一场行动
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