Horsing around Again: Poetics and Intention in Oral Narrative Performance

IF 0.4 3区 社会学 0 FOLKLORE
Katherine Borland
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引用次数: 2

Abstract

Abstract:In this article I compare two accounts by the same narrator of the same event separated by forty-two years, one enclosed in a personal letter and the other an unrehearsed, voiced text. Comparison offers the opportunity to examine transformations in story form from one medium to another. These transformations demonstrate the importance of thematic and emotional as well as linguistic parallelism in oral narrative performance, and they complicate our understanding of personal narrative as distinct from traditional storytelling forms. My own reinterpretation of the emotional core of the story calls attention to the shifting subject positions of narrators who conjure an earlier self in their storytelling.
再胡闹:口头叙事表演中的诗学与意图
摘要:在本文中,我比较了同一叙述者对相隔42年的同一事件的两种描述,一种是在私人信件中附上的,另一种是未经排练的语音文本。比较提供了考察故事形式从一种媒介到另一种媒介的转变的机会。这些转变表明了主题和情感以及语言平行在口头叙事表演中的重要性,它们使我们对个人叙事与传统叙事形式不同的理解复杂化。我自己对故事情感核心的重新诠释,让人们注意到叙述者在讲故事时不断变换的主题位置,他们在讲故事时召唤出了更早的自己。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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