Traditions and Innovations in the Creative and Performing Activities of the Precarpathian Bandura Quartet Gerdan

Oksana Bobechko
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Abstract

The purpose of the research is to highlight the formation of the Precarpathian bandura quartet Gerdan and its creative and performing activities. It emphasizes the phenomenon of the female ensemble bandura playing as well as determines the contribution of the quartet to the development and popularization of modern bandura playing. The research methodology comprises the use of general scientific methods of cognition, namely, the chronological, analytical, as well as methods of generalisation and systematisation that gave the opportunity to study the formation and creative-performing activities of the Precarpathian bandura quartet Gerdan in dynamics and time. The scientific novelty of the study is that for the first time the stages of formation and creative performing activity of the Carpathian bandura quartet Gerdan in the context of the modern ensemble bandura playing development were studied in detail. Conclusions. The article underlines the dominance of female chamber ensembles, especially bandura quartets, in the development of modern ensemble bandura playing. The Precarpathian bandura quartet Gerdan is noted to be one of the prominent modern bandura quartets, which creative and performing activities brightly popularize the bandura art, both in Ukraine and abroad. Presenting the innovative approach and creativity to its own artistic activities, the quartet has become original and unique in the formation of its repertoire. The ensemble impresses with the wide range of performance opportunities in vocal and instrumental aspects. Its highly professional performing art skillfully combines the emotional sphere and the analytical approaches that focused great attention on the characteristics of creative and performing activities of the ensemble in the context of the development of modern music culture, which is characterized by national traditions as well as correspondence to European and world cultural and art standards.
德国班杜拉四重奏创作与表演活动的传统与创新
本研究的目的是突出前哈尔帕西亚班杜拉四重奏格尔丹的形成及其创作和表演活动。它强调了女性合奏班杜拉演奏的现象,并决定了四重奏对现代班杜拉音乐发展和普及的贡献。研究方法包括使用一般的科学认知方法,即时间、分析以及概括和系统化方法,这些方法使我们有机会在动力学和时间上研究前卡帕提亚班杜拉四重奏格尔丹的形成和创造性表演活动。本研究的科学新颖之处在于,首次在现代合奏班杜拉演奏发展的背景下,详细研究了喀尔巴阡山班杜拉四重奏格尔丹的形成阶段和创造性表演活动。结论。文章强调了女性室内合奏团,尤其是班杜拉四重奏在现代合奏班杜拉演奏发展中的主导地位。前哈尔帕西亚班杜拉四重奏Gerdan被认为是现代班杜拉的杰出四重奏之一,其创作和表演活动在乌克兰和国外大力推广了班杜拉艺术。四重奏在其艺术活动中展现了创新的方法和创造力,在其曲目的形成过程中变得独创和独特。该乐团在声乐和器乐方面有着广泛的表演机会,给人留下了深刻印象。其高度专业化的表演艺术巧妙地结合了情感领域和分析方法,在现代音乐文化发展的背景下,高度关注合奏团的创作和表演活动的特点。现代音乐文化具有民族传统的特点,符合欧洲和世界文化艺术标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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