From Crete to Singapore via Rome and St. Louis

Q1 Arts and Humanities
R. S. Nelson
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Abstract

At a Catholic church of the Redemptorist order in Singapore, a crowd surrounds an icon of Our Mother of Perpetual Help (fig. 1). Concurrently, thousands come for the weekly devotions to Our Mother and her icon at the National Shrine in Baclaran, Philippines (fig. 2). Some walk the length of the long nave on their knees. The object of veneration in both churches is a handpainted copy of a fifteenth-century post-Byzantine icon, now in the Redemptorist church of Sant’Alfonso di Liguori in Rome, that has been called the most popular icon in the world today (figs. 3–4). Swathed in a dark blue cloak, Mary looks directly at viewers. Her right hand is held up; her long fingers point to her infant child whom she cradles in her left hand. The child Jesus grasps the thumb of her right hand and looks back at Gabriel, the angel at the right. Frightened and agitated by what he sees there, he is about to lose one sandal. Gabriel can be identified by his abbreviation, the Greek letter G; the archangel Michael is similarly labeled M. Gabriel carries a cross and four nails; Michael a brown jar from which extend two poles. Their tips are difficult to discern, but from other versions of the icon, these must be a sponge and a spear point. Jesus was tortured and killed at the Crucifixion by these objects: the nails affixed his limbs to the cross, a spear pierced his side, and the sponge gave
从克里特岛经罗马和圣路易斯到新加坡
在新加坡的一座天主教救赎会教堂里,人群围绕着我们永恒帮助之母的图标(图1)。与此同时,成千上万的人每周都会来菲律宾巴克拉兰的国家神社为我们的母亲和她的偶像祈祷(图2)。有些人跪着走过长长的中殿。这两座教堂的崇拜对象都是一尊15世纪后拜占庭时期的圣像的手绘复制品,现在位于罗马的利古里圣阿尔丰索救赎会教堂,被称为当今世界最受欢迎的圣像(图3-4)。身着深蓝色斗篷的玛丽直视着观众。她的右手被举起;她长长的手指指向她左手抱着的婴儿。孩子耶稣抓住她右手的大拇指,回头看右边的天使加百列。他对那里的景象感到恐惧和激动,即将失去一只凉鞋。加布里埃尔可以通过他的缩写,希腊字母G来识别;天使长迈克尔的名字与M相似。加布里埃尔带着一个十字架和四个钉子;迈克尔一个棕色的罐子,从里面伸出两根杆子。它们的尖端很难辨别,但从其他版本的图标来看,它们一定是海绵和矛尖。耶稣在十字架上被这些东西折磨和杀害:钉子把他的四肢固定在十字架上,长矛刺穿他的身体,海绵给了他
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来源期刊
Res: Anthropology and Aesthetics
Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts
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期刊介绍: Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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