Time and Lyric Poetry (Collections): A ‘Narrative-Diachronic’ Approach

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
A. Comparini
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引用次数: 0

Abstract

The essay addresses the problem of time in lyric poetry and proposes a narrative understanding of the lyric genre. I argue that temporality belongs to the lyric discourse as part of its transtextual structure as a result of the lyric’s organization in the book form. This transtextual structure gives lyric poetry a narrative framework and a specific type of temporality, the diachronic time, which contrasts with the temporality of the single poem, the synchronic time. By focusing on the relationships between opener and closure poems, I propose a narrative-diachronic model in order to reposition the temporality of lyric poetry in the book form. By dealing with Paul Celan’s second book of poems, Von Schwelle zu Schwelle (1955), the analysis will finally show how diachronic time corresponds to the narrative structure of the collection, and how time and the narrative are deeply linked in lyric poetry by means of the book form.
时间与抒情诗(集):一种“叙事历时”的方法
本文论述了抒情诗中的时间问题,并提出了对抒情诗体裁的叙事理解。我认为,时间性属于抒情话语,是其跨文本结构的一部分,这是抒情诗以书的形式组织起来的结果。这种跨文本结构为抒情诗提供了一个叙事框架和一种特定的时间类型,即历时性时间,它与单首诗的时间性,即共时性时间形成了对比。通过关注开启诗和结束诗之间的关系,我提出了一个叙事历时模型,以期在书的形式中重新定位抒情诗的时间性,以及时间和叙事是如何通过书的形式在抒情诗中深深地联系在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
8
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