{"title":"Berlin Jews, Business, and Bourgeois Feminism 1890-1914: Commerce and the Making of a Cultural Moment?","authors":"Angelina Palmén","doi":"10.1080/1462169X.2022.2156191","DOIUrl":null,"url":null,"abstract":"ABSTRACT The article explores the relationship between commercial capitalism and the first European women’s movement through the lens of Jewish business activity in the fashion-related industries of Wilhelmine Berlin. The analysis centers on Kaufhaus N. Israel, a department store and clothier. Between 1899 and 1914, the firm issued a series of prolifically illustrated albums, several featuring explicit ‘feminist’ elements. Through its elaborate publications, the author argues, the commercial company crafted its image as a cultural institution, relying on associations of the department store as a ‘women’s paradise,’ while venturing into political visions of egalitarianism and ethnic diversity in image and text.","PeriodicalId":35214,"journal":{"name":"Jewish Culture and History","volume":"24 1","pages":"96 - 121"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Culture and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1462169X.2022.2156191","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The article explores the relationship between commercial capitalism and the first European women’s movement through the lens of Jewish business activity in the fashion-related industries of Wilhelmine Berlin. The analysis centers on Kaufhaus N. Israel, a department store and clothier. Between 1899 and 1914, the firm issued a series of prolifically illustrated albums, several featuring explicit ‘feminist’ elements. Through its elaborate publications, the author argues, the commercial company crafted its image as a cultural institution, relying on associations of the department store as a ‘women’s paradise,’ while venturing into political visions of egalitarianism and ethnic diversity in image and text.