{"title":"Mau Mau as Method","authors":"Christian Alvarado","doi":"10.1017/hia.2022.12","DOIUrl":null,"url":null,"abstract":"Abstract During the period of the Kenya Emergency (1952–1960), an assemblage of anticolonial forces waged war against the British colonial apparatus and its allies. Their notoriety would be crystallized in a single, enigmatic phrase: “Mau Mau.” Through considering the character of both contemporary and current framings, this article contends that Mau Mau exists as a historical method in itself, rather than simply as a phenomenon subjected to the analytical frameworks of historians. Mau Mau’s mythological dimension—something acknowledged in even its earliest formal studies—has rarely been focused upon in any sustained way that centers its implications for historical methodology. Yet it existed as a signifier set within enormous discursive webs and systems of information that people interfaced with in myriad ways. More concretely, understandings of and debates about Mau Mau drove human action through their articulation in realms such as (counter)insurgency, politics, and popular culture in geographically-disparate regions of the world. Approaching “events” such as Mau Mau in this fashion reveals the layout of these discursive webs and how they formed around flows of imperial capital, anticolonial resistance, and professional networks.","PeriodicalId":39318,"journal":{"name":"History in Africa","volume":"49 1","pages":"9 - 37"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"History in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/hia.2022.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract During the period of the Kenya Emergency (1952–1960), an assemblage of anticolonial forces waged war against the British colonial apparatus and its allies. Their notoriety would be crystallized in a single, enigmatic phrase: “Mau Mau.” Through considering the character of both contemporary and current framings, this article contends that Mau Mau exists as a historical method in itself, rather than simply as a phenomenon subjected to the analytical frameworks of historians. Mau Mau’s mythological dimension—something acknowledged in even its earliest formal studies—has rarely been focused upon in any sustained way that centers its implications for historical methodology. Yet it existed as a signifier set within enormous discursive webs and systems of information that people interfaced with in myriad ways. More concretely, understandings of and debates about Mau Mau drove human action through their articulation in realms such as (counter)insurgency, politics, and popular culture in geographically-disparate regions of the world. Approaching “events” such as Mau Mau in this fashion reveals the layout of these discursive webs and how they formed around flows of imperial capital, anticolonial resistance, and professional networks.