Re-Imagining Shakespeare in Contemporary Japan: A Selection of Japanese Theatrical Adaptations of Shakespeare

IF 0.4 Q3 AREA STUDIES
B. Thornbury
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引用次数: 1

Abstract

writing in this style of poetry in early post-war era publications as a means of atoning for Japan’s aggression in China and elsewhere. Some of them had prewar connections with China, which illustrates again the through-line common to all of the contributions to this volume. Prewar Japanese appear in the early post-war histories of all the countries of East and Southeast Asia, as do former colonial subjects in post-war Japan’s history, and the ironic dynamics and often ephemeral connections that emerged make for interesting or titillating classroom asides. Yet assembling some of these histories together into a single volume throws a spotlight on the chaos and wonder of this milieu, even if this volume only scratches the surface. More was going on, and only some are mentioned in the volume’s footnotes. Kushner is right – as the Japanese imperial state collapsed, a host of local and regional initiatives did emerge, leading not only to a winding down of the war, but to a ramping up of widespread and individual efforts to seize the new day, seeking to take advantage of aid from distant lands in order to help cement their gains, whatever the cost. In the introduction’s conclusion, Kushner goes so far as to suggest that this volume helps explain how the efforts outlined here ‘set the stage for unexpected intraregional alliances and relations, as well as animosities, in the early years of the Cold War’ and asserts that it ‘will put postimperial history and the process of decolonization back at the forefront of the postwar narrative’ (22). The former is certainly true, and, given the growing interest in transwar and transnational studies in general of late, the latter assertion is likely to prove correct as well. As the varied initiatives in the wake of empire’s fall across this region merit closer scrutiny, this is a book that libraries should have on their shelves if their curriculum includes courses on modern Asian history, along with other work stemming from the European Research Council funded project awarded to Dr Kushner that enabled this publication.
当代日本对莎士比亚的再想象:日本莎士比亚戏剧改编作品选集
以这种风格的诗歌在战后早期的出版物中写作,作为日本对中国和其他地方的侵略的一种赎罪手段。他们中的一些人在战前与中国有联系,这再次说明了本卷所有贡献的共同之处。战前的日本人出现在所有东亚和东南亚国家的战后早期历史中,就像战后日本历史上的前殖民地一样,具有讽刺意味的动态和经常出现的短暂联系使得课堂上的趣谈有趣或令人兴奋。然而,将这些历史汇集成一本书,即使这本书只触及表面,也能让人们关注到这个环境的混乱和奇迹。更多的事情正在发生,只有一些在该书的脚注中被提及。库什纳是对的——随着日本帝国的崩溃,一系列地方和地区倡议确实出现了,不仅导致了战争的逐渐结束,而且导致了广泛的和个人的努力,以抓住新的一天,寻求利用来自遥远国度的援助,以帮助巩固他们的成果,不惜一切代价。在引言的结论中,库什纳甚至暗示,本书有助于解释这里概述的努力是如何“在冷战初期为意想不到的区域内联盟和关系以及敌意奠定了基础”,并断言它“将把后帝国历史和非殖民化进程重新置于战后叙事的最前沿”(22)。前者当然是正确的,而且,鉴于最近人们对跨国界和跨国研究的兴趣日益浓厚,后一种说法很可能也被证明是正确的。随着帝国的衰落,该地区的各种举措值得更仔细地审视,如果图书馆的课程中包括现代亚洲历史课程,以及欧洲研究理事会(European Research Council)资助的库什纳博士项目的其他研究成果,那么这本书就应该放在书架上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Japanese Studies
Japanese Studies AREA STUDIES-
CiteScore
0.90
自引率
20.00%
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