A Distracted Muse: The Positive Effect of Dual-Task Distraction on Creative Potential

IF 2.5 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL
Maurice James D’Arcy Collins
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引用次数: 2

Abstract

ABSTRACT Where do novel ideas come from? What mental processes facilitate them? The disinhibition hypothesis suggests creative cognition can be assisted by reducing cognitive inhibition of ideas, facilitating looser associative thoughts to bond with one another to produce novel concepts. Past exploration of the disinhibition hypothesis has been drawn from neuroatypical populations, examining the effects of substances, mood, or distraction tasks to overcome cognitive fixation on a single idea. This study explored the disinhibition hypothesis effect on divergent thinking (a measure of creative potential), in a neurotypical population of post-graduate students (n = 50; f = 31; mean age = 24), via a dual-task distraction task (the Simon Task) designed to occupy participants’ inhibitory attention. Unlike past work, the present dual-task design enables clarification of whether it is the distraction that facilitates creative responses, or whether the latter are merely an effect of the passage of time between being presented with a problem and offering a solution. Further, the repeated measures design facilitates querying to what degree this form of cognition is environmentally malleable. Participants significantly improved across all four metrics of divergent thinking (fluency; flexibility; originality; elaboration) under dual-task distraction conditions, with a large effect observed for total score improvement.
分心的缪斯:双重任务分心对创造潜力的积极影响
新奇的想法从何而来?什么心理过程促进了他们?去抑制假说认为,创造性认知可以通过减少对想法的认知抑制来帮助,促进松散的联想思想相互联系,产生新的概念。过去对去抑制假说的探索是从神经非典型人群中得出的,研究了物质、情绪或分心任务对克服对单一想法的认知固定的影响。本研究在一个神经正常的研究生群体(n = 50;F = 31;平均年龄= 24),通过双重任务分散注意力的任务(西蒙任务),旨在占用参与者的抑制性注意力。与过去的研究不同,现在的双任务设计能够澄清是分心促进了创造性反应,还是后者仅仅是提出问题和提供解决方案之间时间流逝的结果。此外,重复测量设计有助于查询这种形式的认知在多大程度上具有环境延展性。参与者在发散思维的所有四个指标(流利度;灵活性;创意;在双重任务分心条件下,对总分的提高有很大的影响。
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来源期刊
CiteScore
5.10
自引率
7.70%
发文量
52
期刊介绍: Creativity Research Journal publishes high-quality, scholarly research capturing the full range of approaches to the study of creativity--behavioral, clinical, cognitive, crosscultural, developmental, educational, genetic, organizational, psychoanalytic, psychometrics, and social. Interdisciplinary research is also published, as is research within specific domains (e.g., art, science) and research on critical issues (e.g., aesthetics, genius, imagery, imagination, incubation, insight, intuition, metaphor, play, problem finding and solving). Integrative literature reviews and theoretical pieces that appreciate empirical work are extremely welcome, but purely speculative articles are not published. Readers are encouraged to send commentaries, comments, and evaluative book reviews.
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