{"title":"Jealousy and the Sense of Self: Unamuno and the Contemporary Philosophy of Emotion","authors":"I. V. Ferran","doi":"10.1353/phl.2021.0031","DOIUrl":null,"url":null,"abstract":"Abstract:This paper explores jealousy in Miguel de Unamuno's drama El otro. Drawing on contemporary philosophy of emotion, I argue that for the Spanish author, jealousy gives the subject a sense of self. The paper begins by embedding Unamuno's philosophical anthropology in the context of contemporary emotion theory. It then presents the drama as an investigation into the affective dimension of self-identity. The third section offers an analysis of jealousy as an emotion of self-assessment. The final section discusses how this drama can be regarded as a piece of philosophical work.","PeriodicalId":51912,"journal":{"name":"PHILOSOPHY AND LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PHILOSOPHY AND LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/phl.2021.0031","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This paper explores jealousy in Miguel de Unamuno's drama El otro. Drawing on contemporary philosophy of emotion, I argue that for the Spanish author, jealousy gives the subject a sense of self. The paper begins by embedding Unamuno's philosophical anthropology in the context of contemporary emotion theory. It then presents the drama as an investigation into the affective dimension of self-identity. The third section offers an analysis of jealousy as an emotion of self-assessment. The final section discusses how this drama can be regarded as a piece of philosophical work.
期刊介绍:
For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.