{"title":"Phonological Identity of the Neutral-tone Syllables in Taiwan Mandarin: An Acoustic Study","authors":"Karen Huang","doi":"10.4312/ala.8.2.9-50","DOIUrl":null,"url":null,"abstract":"Taiwan Mandarin, one of the more syllable-timed dialects of Mandarin, has fewer unstressed syllables than Standard Mandarin. Acoustic analyses show that the supposedly unstressed syllables—neutral-tone syllables—in Taiwan Mandarin behave differently from those of Standard Mandarin. Unlike Standard Mandarin, these syllables do not raise their pitch after Tone 3. They have a distinct static mid-low pitch target and the target is implemented with a stronger articulatory strength. Moreover, acoustic analyses demonstrate that not all of these “unstressed syllables” are unstressed. The phonetic evidence suggests that these neutral-tone syllables should be analyzed as unaccented rather than unstressed in Taiwan Mandarin. These unaccented syllables are only lexically marked, and their pitch is neutralized into a mid-low tone. This study sheds light on how rhythm can affect stress and accent in a lexical tone language.","PeriodicalId":37373,"journal":{"name":"Acta Linguistica Asiatica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Linguistica Asiatica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4312/ala.8.2.9-50","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 5
Abstract
Taiwan Mandarin, one of the more syllable-timed dialects of Mandarin, has fewer unstressed syllables than Standard Mandarin. Acoustic analyses show that the supposedly unstressed syllables—neutral-tone syllables—in Taiwan Mandarin behave differently from those of Standard Mandarin. Unlike Standard Mandarin, these syllables do not raise their pitch after Tone 3. They have a distinct static mid-low pitch target and the target is implemented with a stronger articulatory strength. Moreover, acoustic analyses demonstrate that not all of these “unstressed syllables” are unstressed. The phonetic evidence suggests that these neutral-tone syllables should be analyzed as unaccented rather than unstressed in Taiwan Mandarin. These unaccented syllables are only lexically marked, and their pitch is neutralized into a mid-low tone. This study sheds light on how rhythm can affect stress and accent in a lexical tone language.