{"title":"“They Saw Mute Creation Trembling”: Forms of Catastrophe in the Old English Christ III","authors":"E. Reynolds","doi":"10.1215/10829636-9478468","DOIUrl":null,"url":null,"abstract":"The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruction—a suggestion that troubles twenty-first-century narratives of ecological catastrophe and human responsibility. Although the motif of creation's sympathy with Christ appears throughout medieval theology, Christ III's treatment of this motif raises two sets of questions about medieval depictions of catastrophe, one set focused on represention of ecological catastrophe and one focused on causes of catastrophe. Christ III leads the reader to experience the impossibility of fully understanding catastrophe, forcing the reader to question the individual's role in catastrophe.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10829636-9478468","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruction—a suggestion that troubles twenty-first-century narratives of ecological catastrophe and human responsibility. Although the motif of creation's sympathy with Christ appears throughout medieval theology, Christ III's treatment of this motif raises two sets of questions about medieval depictions of catastrophe, one set focused on represention of ecological catastrophe and one focused on causes of catastrophe. Christ III leads the reader to experience the impossibility of fully understanding catastrophe, forcing the reader to question the individual's role in catastrophe.
期刊介绍:
The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.