Oltre le barriere del tempo e dell’autorialità? Osservazioni sul concetto di patrimonio UNESCO

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引用次数: 0

Abstract

There are almost daily discussions on modern or contemporary architecture, both of renowned or unknown authors, which are not preserved but restored, adapted, refurbished, and updated, when not demolished and replaced. It is not a concern of private assets but also public buildings which can be sold when younger than seventy years old. The case studies dealt with by newspapers, professionals, and scholars suggest the opportunity to reflect on both Italian and foreign legislation on the protection of modern and contemporary architecture. Some points of the UNESCO Convention concerning the protection of the world cultural and natural heritage will be focused to question the complementary role of international organizations as a guarantee for a preservation model, perhaps still based on historical-critical but supranational criteria. While many countries must still overcome the frame of age and authorship, the supranational body can act as an interpreter to balance the cultural and ideological omissions linked to different contexts.
超越时间和权威的障碍?对教科文组织遗产概念的评论
几乎每天都有关于现代或当代建筑的讨论,无论是著名的还是不知名的作者,这些建筑都没有被保存下来,而是在没有被拆除和替换的情况下进行了修复、改编、翻新和更新。这不是私人资产的问题,也是70岁以下可以出售的公共建筑的问题。报纸、专业人士和学者的案例研究表明,有机会反思意大利和外国关于保护现代和当代建筑的立法。教科文组织《关于保护世界文化和自然遗产的公约》的一些要点将集中于质疑国际组织作为保护模式的保障的补充作用,也许这种保护模式仍然基于历史批判但超国家的标准。尽管许多国家仍然必须克服年龄和作者身份的框架,但超国家机构可以充当解释者,平衡与不同背景相关的文化和意识形态遗漏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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