“At the Threshold of Silence”: Le Corbusier, “Le Parthénon,” and the Vision of Antiquity

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2021-10-02 DOI:10.1080/00043079.2021.1925013

Andrea Guerra

引用次数: 0

Abstract

Abstract In 1914, three years after his visit to the Acropolis in Athens during his travels through the East, Le Corbusier wrote “Le Parthénon,” the penultimate chapter in the diary published posthumously in 1966 under the title Voyage d’Orient. The text, studied here from the original 1914 manuscript, is distinctive in that it attenuates the journalistic style prevalent in other chapters of Voyage to express considerations on artistic creation and the meaning of making architecture. The analysis reveals a powerful visionary component, inspired by images borrowed from painting and literature that would leave indelible traces in Le Corbusier’s poetics.

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“沉默的门槛”：勒·柯布西耶、《帕提农》与古物的视觉

1914年，也就是柯布西耶在东方旅行期间访问雅典卫城的三年后，柯布西耶写下了日记的第二章“Le parthacimnon”，这是他死后于1966年出版的日记的第二章，书名为《东方之旅》。这里研究的文本来自1914年的原始手稿，它的独特之处在于，它淡化了《航行》其他章节中普遍存在的新闻风格，以表达对艺术创作和建筑意义的考虑。分析揭示了强大的幻想成分，灵感来自绘画和文学中的图像，这些图像将在勒柯布西耶的诗学中留下不可磨灭的痕迹。

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December