Critical Fiction: Reading Seinte Margarete Through Robyn Cadwallader's The Anchoress

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES
K. Winstead
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引用次数: 0

Abstract

abstract:This article examines Robyn Cadwallader's 2015 novel The Anchoress as an interpretation of the early thirteenth-century saint's life Seinte Margarete. The Anchoress is at once a scrupulously researched historical novel and what the author calls a "critical fiction," that is, a work of fiction that undertakes the same analytical project as conventional literary criticism: it self-consciously interprets a narrative through its own narrative and investigates many of the same issues that are explored in more familiar forms of literary scholarship and cultural history. The author analyzes The Anchoress's critical strategies and considers how it can prompt us to think in new and creative ways about Seinte Margarete and the devotional culture that produced it. As it interprets Seinte Margarete, this article shows, Cadwallader's novel mimics the medieval text, producing a Saint Margaret for a twenty-first-century secular audience. Despite their limitations, which are also considered, critical fictions such as Cadwallader's can deepen our appreciation of the past we love and stimulate us to rethink its relation to the present we inhabit.
批评小说:从罗宾·卡德瓦拉德的《女主播》看《塞恩特·玛格丽特
摘要:本文考察了Robyn Cadwallader 2015年的小说《女主播》,作为对13世纪早期圣徒生活的一种解读。《女主播》既是一部经过仔细研究的历史小说,也是作者所说的“批判小说”,也就是说,一部与传统文学批评承担着相同分析项目的小说作品:它通过自己的叙事自觉地解释叙事,并调查许多在更熟悉的文学学术和文化史形式中探索的相同问题。作者分析了《女主播》的批评策略,并思考了它如何促使我们以新的、创造性的方式思考《塞纳玛格丽特》及其产生的宗教文化。尽管有局限性,但像卡德瓦拉德这样的批判性小说可以加深我们对我们所爱的过去的欣赏,并激励我们重新思考它与我们所居住的现在的关系。
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来源期刊
Journal of Medieval Religious Cultures
Journal of Medieval Religious Cultures MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
26
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