Temporality in The Overstory by Richard Powers

IF 0.2 3区 文学 N/A LITERATURE
L. DeLuca
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Abstract

In The Overstory by Richard Powers, there is a stark contrast between the temporality of trees and humans. Although Powers depicts trees as eternally static, he demonstrates how trees are enduring symbols used for memorialization. Contrastingly, Powers portrays humans as being temporary, both by nature individually and in their destructive behaviors as a collective; in both senses, Powers portrays humanity as operating in a quick-time, inhabiting a speedy temporal plane. In the convergence of these temporalities, which only occurs when humans get a glimpse of tree-time, humans are able to experience the stasis of trees, allowing them to live their lives more slowly. Powers depicts trees as enduring, so much so that they are often used as memorials. Powers describes Olivia five times as being called to aid “the most wondrous products of four billion years of life,” which underscores the ancient nature of trees (The Overstory, p.165;170;264;336;493). Through this repetition, one can see how the emphasis of the oldness of trees is often injected into scenes including Olivia, who is in tune with the presence of trees; it is as though her gift of understanding the strange presence makes the ancient legible. Moreover, Powers not only characterizes trees as old, but eternal as well. For example, when planting chestnuts, Nick thinks: “One day, my children will shake the trunks and eat for free” (The Overstory, p.6); this reveals his expectation that trees will survive long enough for his children to enjoy them, in spite of the environmental crisis occurring caused by pollution and global warming. Because of their enduring nature, trees are also used as sites of memorial: the Hoel Chestnut acts as a tombstone for John Hoel’s father as well as a marker for the time capsule, the mulberry tree becomes Winston Ma’s memorial, as this is where he commits suicide, and planting trees functions as commemoration for Ray and Dorothy’s relationship, as their yearly planting tradition stops when their relationship fails (The Overstory, p.10;13;41;168;211). It is therefore clear that the enduring nature of trees lends them to being tools of memorialization. https://doi.org/10.1080/00144940.2022.2146477
理查德·鲍尔斯《Overstory》中的临时性
在理查德·鲍尔斯的《Overstory》中,树木和人类的时间性形成了鲜明的对比。尽管鲍尔斯将树木描绘成永远静止的,但他展示了树木是如何被用来纪念的永恒象征。相比之下,鲍尔斯将人类描绘成暂时的,无论是从个人的本性还是从集体的破坏行为来看;在这两种意义上,鲍尔斯都把人类描绘成在一个快速的时间里运作,居住在一个迅速的时间平面上。只有当人类瞥见树木的时间时,才会出现这些时间的趋同,在这种趋同中,人类能够体验到树木的停滞,从而使他们的生活更加缓慢。鲍尔斯将树木描绘成经久不衰的,以至于它们经常被用作纪念物。鲍尔斯五次将奥利维亚描述为“40亿年生命中最奇妙的产物”,这突出了树木的古老本质(the Overstory,第165页;170;264;336;493页);就好像她理解这种奇怪存在的天赋让古老的东西变得清晰可见。此外,鲍尔斯不仅将树木描绘成古老的,而且是永恒的。例如,在种植栗子时,尼克想:“有一天,我的孩子们会摇着树干免费吃”(the Overstory,第6页);这表明,尽管污染和全球变暖导致了环境危机,但他希望树木能存活足够长的时间,让他的孩子们享受它们。由于其经久不衰的性质,树木也被用作纪念场所:霍尔栗树既是约翰·霍尔父亲的墓碑,也是时间胶囊的标志,桑树成为马的纪念碑,因为他就是在这里自杀的,植树是为了纪念雷和多萝西的关系,因为当他们的关系失败时,他们每年的种植传统就停止了(The Overstory,第10页;13;41;168;211)。因此,很明显,树木的持久性使它们成为纪念的工具。https://doi.org/10.1080/00144940.2022.2146477
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来源期刊
EXPLICATOR
EXPLICATOR LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
17
期刊介绍: Concentrating on works that are frequently anthologized and studied in college classrooms, The Explicator, with its yearly index of titles, is a must for college and university libraries and teachers of literature. Text-based criticism thrives in The Explicator. One of few in its class, the journal publishes concise notes on passages of prose and poetry. Each issue contains between 25 and 30 notes on works of literature, ranging from ancient Greek and Roman times to our own, from throughout the world. Students rely on The Explicator for insight into works they are studying.
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