{"title":"How do characters perceive their world? Representation of perception from traditional past-tense narrative to contemporary present-tense narrative","authors":"Eri Shigematsu","doi":"10.1515/jls-2022-2049","DOIUrl":null,"url":null,"abstract":"Abstract This paper investigates representation of perception in the novel. While many critics have great interests in the conceptual level of consciousness, namely characters’ thoughts, they have paid little attention to the perceptual level of consciousness. Characters’ perceptions are important, as they often lead to their cognitive activities, making up their experiences described in narrative. The narrative technique for representing perception that has been studied is what is called represented perception: a narrative technique for rendering a character’s perceptions without explicitly indicating his/her act of perception. However, as in the case of thought representation, there are more ways to represent fictional perception according to the degree of mediacy. This paper suggests a linguistic paradigm for perception representation, examining more mediate and im-mediate ways of representing perception with some historical insights, and reveals the varied importance of perception in the history of the novel.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF LITERARY SEMANTICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jls-2022-2049","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This paper investigates representation of perception in the novel. While many critics have great interests in the conceptual level of consciousness, namely characters’ thoughts, they have paid little attention to the perceptual level of consciousness. Characters’ perceptions are important, as they often lead to their cognitive activities, making up their experiences described in narrative. The narrative technique for representing perception that has been studied is what is called represented perception: a narrative technique for rendering a character’s perceptions without explicitly indicating his/her act of perception. However, as in the case of thought representation, there are more ways to represent fictional perception according to the degree of mediacy. This paper suggests a linguistic paradigm for perception representation, examining more mediate and im-mediate ways of representing perception with some historical insights, and reveals the varied importance of perception in the history of the novel.
期刊介绍:
The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.