{"title":"Collectivizing justice: Participatory witnessing, sense memory, and emotional communities","authors":"Emilia Yang","doi":"10.1177/17506980231162328","DOIUrl":null,"url":null,"abstract":"This article describes and analyzes the practices made possible by the temporary exhibition of AMA y No Olvida, Museum of Memory Against Impunity, a community and transmedia museum project in Nicaragua, in tandem with the embodied performances of the families of the victims of state violence and visitors during repression and a state of exception. I theorize how the witnessing performed by the audience surpasses the framework of memory museums for human rights with a participatory framework that uses activist and performative expressions. Participatory witnessing is made possible by expanding the exhibition into a performative and political space in which society at large can participate and witness the victims’ struggle for justice through sharing intimate experiences of embodied pain and grief and demands for justice and reparations. Such witnessing then creates an emotional community with solidarity and a moral and political commitment that recognizes and centers the victims as active survivors, activists, and protagonists.","PeriodicalId":47104,"journal":{"name":"Memory Studies","volume":"16 1","pages":"621 - 635"},"PeriodicalIF":1.4000,"publicationDate":"2023-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Memory Studies","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/17506980231162328","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article describes and analyzes the practices made possible by the temporary exhibition of AMA y No Olvida, Museum of Memory Against Impunity, a community and transmedia museum project in Nicaragua, in tandem with the embodied performances of the families of the victims of state violence and visitors during repression and a state of exception. I theorize how the witnessing performed by the audience surpasses the framework of memory museums for human rights with a participatory framework that uses activist and performative expressions. Participatory witnessing is made possible by expanding the exhibition into a performative and political space in which society at large can participate and witness the victims’ struggle for justice through sharing intimate experiences of embodied pain and grief and demands for justice and reparations. Such witnessing then creates an emotional community with solidarity and a moral and political commitment that recognizes and centers the victims as active survivors, activists, and protagonists.
本文描述并分析了尼加拉瓜社区和跨媒体博物馆项目“反对有罪不罚记忆博物馆”AMA y No Olvida的临时展览所带来的实践,以及国家暴力受害者家属和游客在镇压和例外状态下的具体表现。我从理论上论证了观众的见证是如何超越人权记忆博物馆的框架的,这是一个使用活动家和表演表达的参与框架。通过将展览扩大到一个表演和政治空间,使参与式见证成为可能,在这个空间里,整个社会可以通过分享具体的痛苦和悲伤的亲密经历以及对正义和赔偿的要求,参与并见证受害者为正义而战。这样的见证创造了一个团结一致、道德和政治承诺的情感社区,将受害者视为积极的幸存者、活动家和主角。
期刊介绍:
Memory Studies is an international peer reviewed journal. Memory Studies affords recognition, form, and direction to work in this nascent field, and provides a critical forum for dialogue and debate on the theoretical, empirical, and methodological issues central to a collaborative understanding of memory today. Memory Studies examines the social, cultural, cognitive, political and technological shifts affecting how, what and why individuals, groups and societies remember, and forget. The journal responds to and seeks to shape public and academic discourse on the nature, manipulation, and contestation of memory in the contemporary era.