{"title":"FAIR for whom? Commentary on Hofmann et al. (2021)","authors":"S. Münnich","doi":"10.18061/emr.v16i1.8154","DOIUrl":null,"url":null,"abstract":"In this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlying biases are questioned and reflected in the light of applying FAIR data principles to musicological research data from outside a Western canon and its musical practices.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v16i1.8154","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
In this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlying biases are questioned and reflected in the light of applying FAIR data principles to musicological research data from outside a Western canon and its musical practices.