Kinds of Ode: A Comparative Study

IF 0.4 3区 文学 0 LITERATURE
ENGLISH Pub Date : 2021-03-01 DOI:10.34293/ENGLISH.V9I2.3717
S. Udhayakumar
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引用次数: 0

Abstract

This paper brings a comparative analysis of three types of ode poems, i.e., the Pindaric, Horatian and Irregular odes. Its major focus is on the evolutionary changes of odes from its inception at Grecian to English Romantic odes which were greatly influenced by many like Roman influence, Italian influence, Renaissance and Romantic period etc. Moreover the paper gives a clear picture of ode poetry, its characteristics, form and structure and the functions of each type. Through a comparative study the distinct characteristics of the three types are explicated. Some of the ode poems of English poetry such as “The progress of Poesy: A Pindaric ode” by Thomas Grey, “Ode on Solitude” by Alexander Pope and “Ode on a Grecian Urn” by John Keats have been taken as the English models of the three kinds respectively. These poems where compared with the original classical models and critically analyzed.
颂歌的种类:比较研究
本文对三种类型的颂诗进行了比较分析,即平达尔颂诗、贺拉斯颂诗和不规则颂诗。它的主要重点是颂歌从希腊到英国浪漫主义颂歌的演变变化,这些颂歌受到罗马,意大利,文艺复兴和浪漫主义时期等诸多因素的影响。此外,本文还对颂诗、颂诗的特点、形式结构和各类型颂诗的功能作了较为清晰的描述。通过比较研究,阐明了这三种类型的鲜明特点。英国诗歌中的一些颂诗,如托马斯·格雷的《诗歌的进步:品达尔颂诗》、亚历山大·蒲伯的《孤独颂》和约翰·济慈的《希腊瓮颂》,分别被视为这三种颂诗的英语典范。本文将这些诗歌与原始的古典模式进行了比较和批判分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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